Chapter 371: 371
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Liu Minghan, who has been carrying the video camera, said, "it seems that this is also a silk copy."
The poor boss of a large real estate development company can only work as a cameraman here today.
As soon as he said he would take the picture axis, old Liu asked his son to take out the camera. This kind of thing is best photographed in the whole process so that the files can be kept. If a rare treasure is found in the painting axis, the video data can also prove the origin of the rare treasure.
Old Liu turned his head and stared at his son. He said angrily, "you don't need to talk. Just take a good camera. If there is no lens, the family law will serve!"
As soon as Liu Minghan shrunk his neck, he dared not say a word directly.
At this time, no one could care about Liu Minghan's embarrassment. All their attention was on this silk book.
Is it a word? Or painting?
No one knows at this time.
But it is certain that Zhao Linghe can hide this volume of silk book by making such low-level paintings, which is enough to prove that this volume of silk book is definitely not an ordinary thing.
"I opened it?" even old Guo's voice was a little nervous.
Several old men nodded, and old Guo carefully began to open the silk book.
As a result, just a small part of the silk scroll was exposed, several old men took a breath, and then turned into sculptures. Even old Guo couldn't help standing up straight and staring at the exposed part motionless.
As for Liu Minghan, who has been filming all the time, he seems to be stupid.
No wonder these old men behave like this. It's really because the five words on the small silk book just revealed are too shocking.
"The picture of the river on the Qingming Festival", five inscriptions and postscripts in thin gold, with a small double dragon seal below
For a long time, Lao Cai Xiao rushed up like crazy. If Yang Jing hadn't held the old man quickly, he might have to knock his head on the table.
Several other old men also began to go crazy. They either shook their heads or rubbed their eyes. Old Huang walked around the house like a headless fly
A room full of people belongs to Yang Jing. After all, he already knows what this silk book is.
Yang Jing held the still crazy Xiao in one hand and patted the eldest martial brother Liu Minghan in the other hand. After waking the eldest martial brother from a daze, he said loudly, "four masters, can we calm down? The painting is not sure whether it is true!"
Yang Jing said this loudly, and the whole hall was buzzing.
The old men slowly calmed down, and their faces showed an embarrassed expression. Only old Xiao turned his head and stared at Yang Jing and said, "your boy, don't let me go quickly? This is the river map of Qingming Festival! How can you calm me?"
Well, the old man looks really anxious. It's no wonder that the master who has been immersed in calligraphy and painting all his life suddenly sees the inscription and postscript of "Qingming River map" in thin gold body and the small double dragon seal below. Of course, he can't calm down.
Liu Lao and Cai Yi came over and hugged Xiao Lao, which made Xiao Lao gradually quiet.
After several old men's emotions calmed down, old Guo licked his lips and asked, "old guys, do you think this inscription and postscript and this double dragon seal are true? My God, if it is true, we can all be famous for thousands of history!"
Xiao pulled Guo aside unhappily, put on white gloves and reading glasses, picked up the magnifying glass and said, "if fame and history are not you, it's Xiaojing, okay? In any way, this painting is from Xiaojing."
With that, Xiao Lao picked up a magnifying glass, and several other old men all surrounded him. Liu Minghan had to remind him: "uncles, please leave me a gap. I have to take a picture."
Several old men simply ignored Liu Minghan's words, but Yang Jing reluctantly pulled a chair from the side, took the camera in Liu Minghan's hand, stood on the chair with the camera, and photographed the process of Xiao's identification of the five character inscription and double dragon seal.
The room was quiet. No one dared to disturb Xiao at this time.
After all, there is a roll of paintings that are likely to be the authentic works of the river map during the Qingming Festival. At this time, even big names such as Liu and them are like a nervous child waiting for results.
Although we haven't seen the full picture of this painting yet, after all, this painting was taken from the scroll of Jiangning River Painting personally painted by Zhao Lingqian, and just now when Guo took the scroll, he was very sure that the Jiangning River painting had never been mounted twice or three times since it was mounted. It was completely original. In other words, this time alone is enough to prove that this volume of silk was hidden in the painting axis during the Northern Song Dynasty.
In addition, the five character inscription and postscript of "the picture of the river during the Qingming Festival" in thin gold and the seal of the small double dragon seal below are sufficient to prove that the silk version just found in this volume is more than 90% likely to be the authentic work of the picture of the river during the Qingming Festival.
Although the incomplete silk edition "the picture of the river during the Qingming Festival" collected in the Palace Museum is now recognized as the authentic work of Zhang Zeduan, in fact, all these old experts understand that even the incomplete silk edition can not be 100% proved to be the authentic work of Zhang Zeduan.
After all, in the 900 year history from the Northern Song Dynasty to modern times, there are as many as thirty or forty versions of the river map during the Qingming Festival. Although some versions have been confirmed to be imitated, more versions have not been determined to be imitated. In that case, who can be 100% sure that the remnant of the volume collected in the Palace Museum is the authentic work of Zhang Zeduan?
The remnant volume collected in the Palace Museum is also incomplete. According to many historical books, it is inferred that there should be a section of suburban landscape painted in front of the authentic work of the riverside painting during the Qingming Festival, with the signature of song Huizong in thin gold and the small double dragon seal used in his collection. These are missing from the remnant volume collected in the Palace Museum.
Moreover, according to various historical books and materials, many experts infer that there should be some behind the authentic work of the riverside painting during the Qingming Festival, because the painting should not stop suddenly when it first entered Kaifeng City, but should be painted until jinmingchi. Many experts believe that since the painting is called the picture of the river on the Qingming Festival, its meaning is to go to the river on the Qingming Festival, and the remnant book collected by the National Palace Museum, the master and servant are walking beside the willow at the end of the picture, which can be regarded as the protagonist of reverie, then the meaning of the name of the picture of the river on the Qingming Festival can be fully explained.
But anyway, the remnant of the volume collected by the Palace Museum is very incomplete, there is also the saying of "lost five feet" in historical materials, and the most important five character inscription and postscript of Zhao Ji, Emperor Huizong of the Song Dynasty, and the small seal of Shuanglong are missing, which makes it impossible to prove that the remnant of the volume is the authentic work of Zhang Zeduan.
It's just that although many people know it, no one dares to mention it
A silk book suddenly appeared in the eye circle, and it was taken out from the scroll of the painting of the famous painter Zhao Linghe in the Northern Song Dynasty. Although only a small part was opened, the five character inscription and postscript and the small seal of Shuanglong in the beginning all proved the true identity of this silk book.
"Dangdang..." in the silent hall, the bell of the floor bell suddenly rang, and the time has unknowingly come to ten o'clock in the evening.
With these ten sudden bells, the original dignified atmosphere about to drip water suddenly relaxed.
Xiao Lao raised his head, wiped the sweat on his forehead with his sleeve, smiled bitterly and said, "I'm too nervous. I'm afraid I've never been so nervous in my life. He brewed it. It's getting old. It's getting a little scratchy."
Several old men laughed, and the tension in the room was even lighter.
The eldest martial brother Liu Minghan asked, "Uncle Xiao, how was your appraisal? Are the inscriptions and seals true?"
Xiao Lao stared at Liu Minghan angrily, and then said with a bitter smile, "I'm not sure. Although I dare to say that these five character inscriptions and postscripts and the double dragon seal are the authentic works of Zhao Ji, Emperor Huizong of Song Dynasty, I can't be sure alone. This involves too much... Lao Huang, why don't you come and have a look?"
Huang Lao did not refuse, put on his gloves and reading glasses, took the magnifying glass in Xiao Lao's hand and leaned up.
After a while, old Huang stood up straight with sweat and said, "my view is the same as that of old Xiao. These five character inscriptions and postscripts and the double dragon small seal should be authentic."
After a pause, old Huang continued: "what Lao Xiao said just now is very correct. If you change another painting, it's enough to have Lao Xiao's identification. But even if we pile up this painting, we don't dare to make a decision! It's better to organize other colleagues in the hospital to have a look. It's more secure if you can invite Lao Mu to come over and take a look."
The Mu Lao mentioned by Huang Lao is an older generation master specializing in ancient calligraphy and painting in the Palace Museum. Although she is a woman, she is the top master figure in ancient calligraphy and painting.
At the teacher worship ceremony this morning, old Mu also came, but she went back without even attending the luncheon.
Hearing what old Huang said, several old men nodded. In the face of such a major event, it is very necessary to organize a considerable number of experts to identify it. After all, this involves the picture of the river on the Qingming Festival, which cannot be overemphasized.
Yang Jing said, "four masters and old Huang, why don't we talk about the appraisal first? Let's have a look at the whole picture of the painting first."
Yang Jing's words immediately got everyone's consent, and old Guo continued to carefully open the silk book.
Not to mention, perhaps it is because the silk has been hidden in the painting axis, so it is well preserved. Except that the color of the silk has faded due to time, the painting is very good in other aspects.
The beginning of this painting is indeed a section of suburban landscape, which is similar to what many experts infer. Then, after opening down, it is the content of the familiar picture of the river during the Qingming Festival. However, at the end of this volume of silk, there is an additional length of about 1.5 meters. It shows the scene that the master and servant of that line finally came to the river.
After all the silk books were opened, the length reached seven and a half meters, more than two meters longer than the remnant book collected by the Palace Museum. At the same time, it also proved the saying of "lost five feet" in historical materials. The most important thing is that the present volume of silk is extremely complete, and the overall style, layout and painting techniques are obviously better than the remnant volume in the Palace Museum.
In fact, at this time, the five old men present have determined in their hearts that this volume of silk is the authentic work of the river map during the Qingming Festival
Please report us if you find any errors so we can fix it asap!
Liu Minghan, who has been carrying the video camera, said, "it seems that this is also a silk copy."
The poor boss of a large real estate development company can only work as a cameraman here today.
As soon as he said he would take the picture axis, old Liu asked his son to take out the camera. This kind of thing is best photographed in the whole process so that the files can be kept. If a rare treasure is found in the painting axis, the video data can also prove the origin of the rare treasure.
Old Liu turned his head and stared at his son. He said angrily, "you don't need to talk. Just take a good camera. If there is no lens, the family law will serve!"
As soon as Liu Minghan shrunk his neck, he dared not say a word directly.
At this time, no one could care about Liu Minghan's embarrassment. All their attention was on this silk book.
Is it a word? Or painting?
No one knows at this time.
But it is certain that Zhao Linghe can hide this volume of silk book by making such low-level paintings, which is enough to prove that this volume of silk book is definitely not an ordinary thing.
"I opened it?" even old Guo's voice was a little nervous.
Several old men nodded, and old Guo carefully began to open the silk book.
As a result, just a small part of the silk scroll was exposed, several old men took a breath, and then turned into sculptures. Even old Guo couldn't help standing up straight and staring at the exposed part motionless.
As for Liu Minghan, who has been filming all the time, he seems to be stupid.
No wonder these old men behave like this. It's really because the five words on the small silk book just revealed are too shocking.
"The picture of the river on the Qingming Festival", five inscriptions and postscripts in thin gold, with a small double dragon seal below
For a long time, Lao Cai Xiao rushed up like crazy. If Yang Jing hadn't held the old man quickly, he might have to knock his head on the table.
Several other old men also began to go crazy. They either shook their heads or rubbed their eyes. Old Huang walked around the house like a headless fly
A room full of people belongs to Yang Jing. After all, he already knows what this silk book is.
Yang Jing held the still crazy Xiao in one hand and patted the eldest martial brother Liu Minghan in the other hand. After waking the eldest martial brother from a daze, he said loudly, "four masters, can we calm down? The painting is not sure whether it is true!"
Yang Jing said this loudly, and the whole hall was buzzing.
The old men slowly calmed down, and their faces showed an embarrassed expression. Only old Xiao turned his head and stared at Yang Jing and said, "your boy, don't let me go quickly? This is the river map of Qingming Festival! How can you calm me?"
Well, the old man looks really anxious. It's no wonder that the master who has been immersed in calligraphy and painting all his life suddenly sees the inscription and postscript of "Qingming River map" in thin gold body and the small double dragon seal below. Of course, he can't calm down.
Liu Lao and Cai Yi came over and hugged Xiao Lao, which made Xiao Lao gradually quiet.
After several old men's emotions calmed down, old Guo licked his lips and asked, "old guys, do you think this inscription and postscript and this double dragon seal are true? My God, if it is true, we can all be famous for thousands of history!"
Xiao pulled Guo aside unhappily, put on white gloves and reading glasses, picked up the magnifying glass and said, "if fame and history are not you, it's Xiaojing, okay? In any way, this painting is from Xiaojing."
With that, Xiao Lao picked up a magnifying glass, and several other old men all surrounded him. Liu Minghan had to remind him: "uncles, please leave me a gap. I have to take a picture."
Several old men simply ignored Liu Minghan's words, but Yang Jing reluctantly pulled a chair from the side, took the camera in Liu Minghan's hand, stood on the chair with the camera, and photographed the process of Xiao's identification of the five character inscription and double dragon seal.
The room was quiet. No one dared to disturb Xiao at this time.
After all, there is a roll of paintings that are likely to be the authentic works of the river map during the Qingming Festival. At this time, even big names such as Liu and them are like a nervous child waiting for results.
Although we haven't seen the full picture of this painting yet, after all, this painting was taken from the scroll of Jiangning River Painting personally painted by Zhao Lingqian, and just now when Guo took the scroll, he was very sure that the Jiangning River painting had never been mounted twice or three times since it was mounted. It was completely original. In other words, this time alone is enough to prove that this volume of silk was hidden in the painting axis during the Northern Song Dynasty.
In addition, the five character inscription and postscript of "the picture of the river during the Qingming Festival" in thin gold and the seal of the small double dragon seal below are sufficient to prove that the silk version just found in this volume is more than 90% likely to be the authentic work of the picture of the river during the Qingming Festival.
Although the incomplete silk edition "the picture of the river during the Qingming Festival" collected in the Palace Museum is now recognized as the authentic work of Zhang Zeduan, in fact, all these old experts understand that even the incomplete silk edition can not be 100% proved to be the authentic work of Zhang Zeduan.
After all, in the 900 year history from the Northern Song Dynasty to modern times, there are as many as thirty or forty versions of the river map during the Qingming Festival. Although some versions have been confirmed to be imitated, more versions have not been determined to be imitated. In that case, who can be 100% sure that the remnant of the volume collected in the Palace Museum is the authentic work of Zhang Zeduan?
The remnant volume collected in the Palace Museum is also incomplete. According to many historical books, it is inferred that there should be a section of suburban landscape painted in front of the authentic work of the riverside painting during the Qingming Festival, with the signature of song Huizong in thin gold and the small double dragon seal used in his collection. These are missing from the remnant volume collected in the Palace Museum.
Moreover, according to various historical books and materials, many experts infer that there should be some behind the authentic work of the riverside painting during the Qingming Festival, because the painting should not stop suddenly when it first entered Kaifeng City, but should be painted until jinmingchi. Many experts believe that since the painting is called the picture of the river on the Qingming Festival, its meaning is to go to the river on the Qingming Festival, and the remnant book collected by the National Palace Museum, the master and servant are walking beside the willow at the end of the picture, which can be regarded as the protagonist of reverie, then the meaning of the name of the picture of the river on the Qingming Festival can be fully explained.
But anyway, the remnant of the volume collected by the Palace Museum is very incomplete, there is also the saying of "lost five feet" in historical materials, and the most important five character inscription and postscript of Zhao Ji, Emperor Huizong of the Song Dynasty, and the small seal of Shuanglong are missing, which makes it impossible to prove that the remnant of the volume is the authentic work of Zhang Zeduan.
It's just that although many people know it, no one dares to mention it
A silk book suddenly appeared in the eye circle, and it was taken out from the scroll of the painting of the famous painter Zhao Linghe in the Northern Song Dynasty. Although only a small part was opened, the five character inscription and postscript and the small seal of Shuanglong in the beginning all proved the true identity of this silk book.
"Dangdang..." in the silent hall, the bell of the floor bell suddenly rang, and the time has unknowingly come to ten o'clock in the evening.
With these ten sudden bells, the original dignified atmosphere about to drip water suddenly relaxed.
Xiao Lao raised his head, wiped the sweat on his forehead with his sleeve, smiled bitterly and said, "I'm too nervous. I'm afraid I've never been so nervous in my life. He brewed it. It's getting old. It's getting a little scratchy."
Several old men laughed, and the tension in the room was even lighter.
The eldest martial brother Liu Minghan asked, "Uncle Xiao, how was your appraisal? Are the inscriptions and seals true?"
Xiao Lao stared at Liu Minghan angrily, and then said with a bitter smile, "I'm not sure. Although I dare to say that these five character inscriptions and postscripts and the double dragon seal are the authentic works of Zhao Ji, Emperor Huizong of Song Dynasty, I can't be sure alone. This involves too much... Lao Huang, why don't you come and have a look?"
Huang Lao did not refuse, put on his gloves and reading glasses, took the magnifying glass in Xiao Lao's hand and leaned up.
After a while, old Huang stood up straight with sweat and said, "my view is the same as that of old Xiao. These five character inscriptions and postscripts and the double dragon small seal should be authentic."
After a pause, old Huang continued: "what Lao Xiao said just now is very correct. If you change another painting, it's enough to have Lao Xiao's identification. But even if we pile up this painting, we don't dare to make a decision! It's better to organize other colleagues in the hospital to have a look. It's more secure if you can invite Lao Mu to come over and take a look."
The Mu Lao mentioned by Huang Lao is an older generation master specializing in ancient calligraphy and painting in the Palace Museum. Although she is a woman, she is the top master figure in ancient calligraphy and painting.
At the teacher worship ceremony this morning, old Mu also came, but she went back without even attending the luncheon.
Hearing what old Huang said, several old men nodded. In the face of such a major event, it is very necessary to organize a considerable number of experts to identify it. After all, this involves the picture of the river on the Qingming Festival, which cannot be overemphasized.
Yang Jing said, "four masters and old Huang, why don't we talk about the appraisal first? Let's have a look at the whole picture of the painting first."
Yang Jing's words immediately got everyone's consent, and old Guo continued to carefully open the silk book.
Not to mention, perhaps it is because the silk has been hidden in the painting axis, so it is well preserved. Except that the color of the silk has faded due to time, the painting is very good in other aspects.
The beginning of this painting is indeed a section of suburban landscape, which is similar to what many experts infer. Then, after opening down, it is the content of the familiar picture of the river during the Qingming Festival. However, at the end of this volume of silk, there is an additional length of about 1.5 meters. It shows the scene that the master and servant of that line finally came to the river.
After all the silk books were opened, the length reached seven and a half meters, more than two meters longer than the remnant book collected by the Palace Museum. At the same time, it also proved the saying of "lost five feet" in historical materials. The most important thing is that the present volume of silk is extremely complete, and the overall style, layout and painting techniques are obviously better than the remnant volume in the Palace Museum.
In fact, at this time, the five old men present have determined in their hearts that this volume of silk is the authentic work of the river map during the Qingming Festival
Liu Minghan, who has been carrying the video camera, said, "it seems that this is also a silk copy."The poor boss of a large real estate development company can only work as a cameraman here today.As soon as he said he would take the picture axis, old Liu asked his son to take out the camera. This kind of thing is best photographed in the whole process so that the files can be kept. If a rare treasure is found in the painting axis, the video data can also prove the origin of the rare treasure.Old Liu turned his head and stared at his son. He said angrily, "you don't need to talk. Just take a good camera. If there is no lens, the family law will serve!"As soon as Liu Minghan shrunk his neck, he dared not say a word directly.At this time, no one could care about Liu Minghan's embarrassment. All their attention was on this silk book.Is it a word? Or painting?No one knows at this time.But it is certain that Zhao Linghe can hide this volume of silk book by making such low-level paintings, which is enough to prove that this volume of silk book is definitely not an ordinary thing."I opened it?" even old Guo's voice was a little nervous.Several old men nodded, and old Guo carefully began to open the silk book.As a result, just a small part of the silk scroll was exposed, several old men took a breath, and then turned into sculptures. Even old Guo couldn't help standing up straight and staring at the exposed part motionless.As for Liu Minghan, who has been filming all the time, he seems to be stupid.No wonder these old men behave like this. It's really because the five words on the small silk book just revealed are too shocking."The picture of the river on the Qingming Festival", five inscriptions and postscripts in thin gold, with a small double dragon seal belowFor a long time, Lao Cai Xiao rushed up like crazy. If Yang Jing hadn't held the old man quickly, he might have to knock his head on the table.Several other old men also began to go crazy. They either shook their heads or rubbed their eyes. Old Huang walked around the house like a headless flyA room full of people belongs to Yang Jing. After all, he already knows what this silk book is.Yang Jing held the still crazy Xiao in one hand and patted the eldest martial brother Liu Minghan in the other hand. After waking the eldest martial brother from a daze, he said loudly, "four masters, can we calm down? The painting is not sure whether it is true!"Yang Jing said this loudly, and the whole hall was buzzing.The old men slowly calmed down, and their faces showed an embarrassed expression. Only old Xiao turned his head and stared at Yang Jing and said, "your boy, don't let me go quickly? This is the river map of Qingming Festival! How can you calm me?"Well, the old man looks really anxious. It's no wonder that the master who has been immersed in calligraphy and painting all his life suddenly sees the inscription and postscript of "Qingming River map" in thin gold body and the small double dragon seal below. Of course, he can't calm down.Liu Lao and Cai Yi came over and hugged Xiao Lao, which made Xiao Lao gradually quiet.After several old men's emotions calmed down, old Guo licked his lips and asked, "old guys, do you think this inscription and postscript and this double dragon seal are true? My God, if it is true, we can all be famous for thousands of history!"Xiao pulled Guo aside unhappily, put on white gloves and reading glasses, picked up the magnifying glass and said, "if fame and history are not you, it's Xiaojing, okay? In any way, this painting is from Xiaojing."With that, Xiao Lao picked up a magnifying glass, and several other old men all surrounded him. Liu Minghan had to remind him: "uncles, please leave me a gap. I have to take a picture."Several old men simply ignored Liu Minghan's words, but Yang Jing reluctantly pulled a chair from the side, took the camera in Liu Minghan's hand, stood on the chair with the camera, and photographed the process of Xiao's identification of the five character inscription and double dragon seal.The room was quiet. No one dared to disturb Xiao at this time.After all, there is a roll of paintings that are likely to be the authentic works of the river map during the Qingming Festival. At this time, even big names such as Liu and them are like a nervous child waiting for results.Although we haven't seen the full picture of this painting yet, after all, this painting was taken from the scroll of Jiangning River Painting personally painted by Zhao Lingqian, and just now when Guo took the scroll, he was very sure that the Jiangning River painting had never been mounted twice or three times since it was mounted. It was completely original. In other words, this time alone is enough to prove that this volume of silk was hidden in the painting axis during the Northern Song Dynasty.In addition, the five character inscription and postscript of "the picture of the river during the Qingming Festival" in thin gold and the seal of the small double dragon seal below are sufficient to prove that the silk version just found in this volume is more than 90% likely to be the authentic work of the picture of the river during the Qingming Festival.Although the incomplete silk edition "the picture of the river during the Qingming Festival" collected in the Palace Museum is now recognized as the authentic work of Zhang Zeduan, in fact, all these old experts understand that even the incomplete silk edition can not be 100% proved to be the authentic work of Zhang Zeduan.After all, in the 900 year history from the Northern Song Dynasty to modern times, there are as many as thirty or forty versions of the river map during the Qingming Festival. Although some versions have been confirmed to be imitated, more versions have not been determined to be imitated. In that case, who can be 100% sure that the remnant of the volume collected in the Palace Museum is the authentic work of Zhang Zeduan?The remnant volume collected in the Palace Museum is also incomplete. According to many historical books, it is inferred that there should be a section of suburban landscape painted in front of the authentic work of the riverside painting during the Qingming Festival, with the signature of song Huizong in thin gold and the small double dragon seal used in his collection. These are missing from the remnant volume collected in the Palace Museum.Moreover, according to various historical books and materials, many experts infer that there should be some behind the authentic work of the riverside painting during the Qingming Festival, because the painting should not stop suddenly when it first entered Kaifeng City, but should be painted until jinmingchi. Many experts believe that since the painting is called the picture of the river on the Qingming Festival, its meaning is to go to the river on the Qingming Festival, and the remnant book collected by the National Palace Museum, the master and servant are walking beside the willow at the end of the picture, which can be regarded as the protagonist of reverie, then the meaning of the name of the picture of the river on the Qingming Festival can be fully explained.But anyway, the remnant of the volume collected by the Palace Museum is very incomplete, there is also the saying of "lost five feet" in historical materials, and the most important five character inscription and postscript of Zhao Ji, Emperor Huizong of the Song Dynasty, and the small seal of Shuanglong are missing, which makes it impossible to prove that the remnant of the volume is the authentic work of Zhang Zeduan.It's just that although many people know it, no one dares to mention itA silk book suddenly appeared in the eye circle, and it was taken out from the scroll of the painting of the famous painter Zhao Linghe in the Northern Song Dynasty. Although only a small part was opened, the five character inscription and postscript and the small seal of Shuanglong in the beginning all proved the true identity of this silk book."Dangdang..." in the silent hall, the bell of the floor bell suddenly rang, and the time has unknowingly come to ten o'clock in the evening.With these ten sudden bells, the original dignified atmosphere about to drip water suddenly relaxed.Xiao Lao raised his head, wiped the sweat on his forehead with his sleeve, smiled bitterly and said, "I'm too nervous. I'm afraid I've never been so nervous in my life. He brewed it. It's getting old. It's getting a little scratchy."Several old men laughed, and the tension in the room was even lighter.The eldest martial brother Liu Minghan asked, "Uncle Xiao, how was your appraisal? Are the inscriptions and seals true?"Xiao Lao stared at Liu Minghan angrily, and then said with a bitter smile, "I'm not sure. Although I dare to say that these five character inscriptions and postscripts and the double dragon seal are the authentic works of Zhao Ji, Emperor Huizong of Song Dynasty, I can't be sure alone. This involves too much... Lao Huang, why don't you come and have a look?"Huang Lao did not refuse, put on his gloves and reading glasses, took the magnifying glass in Xiao Lao's hand and leaned up.After a while, old Huang stood up straight with sweat and said, "my view is the same as that of old Xiao. These five character inscriptions and postscripts and the double dragon small seal should be authentic."After a pause, old Huang continued: "what Lao Xiao said just now is very correct. If you change another painting, it's enough to have Lao Xiao's identification. But even if we pile up this painting, we don't dare to make a decision! It's better to organize other colleagues in the hospital to have a look. It's more secure if you can invite Lao Mu to come over and take a look."The Mu Lao mentioned by Huang Lao is an older generation master specializing in ancient calligraphy and painting in the Palace Museum. Although she is a woman, she is the top master figure in ancient calligraphy and painting.At the teacher worship ceremony this morning, old Mu also came, but she went back without even attending the luncheon.Hearing what old Huang said, several old men nodded. In the face of such a major event, it is very necessary to organize a considerable number of experts to identify it. After all, this involves the picture of the river on the Qingming Festival, which cannot be overemphasized.Yang Jing said, "four masters and old Huang, why don't we talk about the appraisal first? Let's have a look at the whole picture of the painting first."Yang Jing's words immediately got everyone's consent, and old Guo continued to carefully open the silk book.Not to mention, perhaps it is because the silk has been hidden in the painting axis, so it is well preserved. Except that the color of the silk has faded due to time, the painting is very good in other aspects.The beginning of this painting is indeed a section of suburban landscape, which is similar to what many experts infer. Then, after opening down, it is the content of the familiar picture of the river during the Qingming Festival. However, at the end of this volume of silk, there is an additional length of about 1.5 meters. It shows the scene that the master and servant of that line finally came to the river.After all the silk books were opened, the length reached seven and a half meters, more than two meters longer than the remnant book collected by the Palace Museum. At the same time, it also proved the saying of "lost five feet" in historical materials. The most important thing is that the present volume of silk is extremely complete, and the overall style, layout and painting techniques are obviously better than the remnant volume in the Palace Museum.In fact, at this time, the five old men present have determined in their hearts that this volume of silk is the authentic work of the river map during the Qingming Festival
