Chapter 544: 544
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Being underground, Yang Jing couldn't figure out the East, West, North and south. She could only distinguish her position by front, back, left and right.
In the corner of the huge cave hall, there was an open stone door. Yang Jing walked in with a lamp and was immediately attracted by the things inside.
This stone chamber should be a stone chamber that has not been used in Wu Zetian's mausoleum. It is unknown whether Wu Zetian wants to use this stone chamber to hold funeral objects or anything else.
The area of the stone chamber is OK. It is five meters long and wide, and its height is about two and a half meters.
In this stone chamber, there are no less than 20 uneven stone tablets of different sizes.
Yang Jing approached one of the stone tablets about 1.2 meters high and 50 cm wide. With the help of the light, she felt that her scalp began to numb.
It's not that this stone tablet is engraved with something scary, but Yang Jingqian thought for a long time, but he really didn't expect to see this stone tablet in this basement.
"Master Meng's inscription: watching the sun at the beginning of the day means that it's like galloping; huge rivers divert and tend to the Bohai Sea without stopping. Yes, even people have no choice..."
Yang Jing's scalp is not numb. These lines engraved on the stone tablet are very famous. This is the beginning of master Meng's tablet, a masterpiece handed down by Chu suiliang, one of the four masters of the early Tang Dynasty!
As one of the four masters of the early Tang Dynasty, Yang Jing still knew Chu suiliang better. Yang Jing once saw this masterpiece from some materials about ancient calligraphers given by the second master Xiao Lao.
"The full name of the monument of master Meng is the monument of master Meng of the supreme moral Temple of the capital. It is inscribed in the main book of the Tang Dynasty, written in the text of Tang Cen, written in the book of Chu suiliang, and engraved in the 16th year of Zhenguan. The monument has been lost several times. Only Li Zonghan of the Qing Dynasty has collected the extension of the Tang Dynasty."
According to the information, Li Shimin, who likes calligraphy, ordered Cen to write an article on master Meng's stele, and then asked Chu suiliang to write it and finally engrave it on the stele. However, the stone tablet has long been lost. Now there are only Tang Dynasty rubbings of Li Zonghan in the Qing Dynasty.
The rubbings of the Tang Dynasty kept by Li Zonghan alone are already the treasure of the country, let alone the original inscription of master Meng's monument. If it can be found, it is definitely one of the most precious cultural relics.
What the hell is this inscription in front of you? Is this stele really the original stele of master Meng?
Yang Jing has never seen Li Zonghan's rubbings of the Tang Dynasty, but from this inscription, Yang Jing can clearly feel the atmosphere coming to his face. The inscriptions on both sides of the stele are densely engraved, but even those who do not understand calligraphy feel very comfortable. This is definitely an inscription by a famous master.
If this inscription is true, it is too important.
Without saying a word, he brushed his left hand, and the holy ring immediately gave the answer Yang Jing wanted.
"The monument of master Meng, the master of the supreme moral concept of the capital", Chu suiliang, cen Wenwen and Zhao Dashi, 642. "
Sure enough, it is the genuine product of master Meng's monument!
Yang Jing couldn't help smiling. The answer given by Shengjie can't be wrong. The monument to master Meng itself is a masterpiece written by Cen Wenwen and Chu suiliang. As for Zhao Dashi, it is estimated that he is a stone carver. The year of 642 is also the year of the inscription on the.
"National treasure!" Yang jingle reached out again and brushed the stone tablet into the storage space.
The first stone tablet is such a good treasure. Yang Jing can't help looking forward to the remaining more than 20 stone tablets.
The second stone tablet continued to make Yang Jing's heart beat wildly, because it was an inscription by Ouyang Xun, the head of the four masters in the early Tang Dynasty, and there was no historical record. If it was taken out, it would definitely cause a sensation.
Ouyang Xun is Chu suiliang's calligraphy teacher! That reputation is not ordinary.
Although the third tablet is not big, with only more than 100 words on it, it is equally incomparable. It is the authentic tablet of changfengtie copied by Liu Gongquan from the calligrapher Wang Xizhi.
The identification result of the fourth tablet almost shut down Yang Jing's heart, because the handwriting on the tablet was actually written by Zhong Yao, and it was also Zhong Yao's small regular script!
Who is Zhong you? It is estimated that none of the people who study calligraphy in China do not know the name of the great master.
Zhong Yao was a famous calligrapher and politician of Cao Wei during the Three Kingdoms period. He was good at seal, official, true, line and grass. He was quite accomplished in calligraphy, promoted the development of regular script (small regular script), and was respected as the "ancestor of regular script" by later generations.
Wang Xizhi's calligraphy enlightenment teacher was Wei Shuo, the famous calligrapher of the Jin Dynasty, that is, Mrs. Wei, and Wei shuozheng's teacher was Zhong Yao. Therefore, in terms of seniority, Wang Xizhi was Zhong Yao's disciple.
Zhong Yao has a very high position in the calligraphy field. He is called "Zhong Wang" together with Wang Xizhi, and his ranking is still before Wang Xizhi.
This stone tablet is a little incomplete, missing a corner, but the content of the inscription is not less. This inscription is an inscription on Hedong, which has never been recorded in history, but the answer given by the holy ring is indeed Zhong Yao's work.
The value of these four inscriptions alone is difficult to estimate, especially if they have words. Looking around the world, as long as it is a cultural relic with words, its value is much higher than that of cultural relics of the same age.
These inscriptions definitely play a great role in promoting the study of the Tang Dynasty and the culture before the Tang Dynasty. Therefore, the value of these inscriptions is no worse than that of calligraphy and painting in the same period.
In addition to these inscriptions, there are other inscriptions in the Wei, Jin, Sui and Tang Dynasties. For example, the inscription of Er Zhu Chang stele by Xue Daoheng, a famous calligrapher in the Sui Dynasty, and the inscription of good deeds Fu by Wang Kuang in the Eastern Jin Dynasty, it is worth mentioning that Wang Kuang is Wang Xizhi's father.
In addition, there are the inscriptions on the crescent note by Wang Huizhi, the fifth son of Wang Xizhi, the discussion on the funeral of Wei Zhi and Zhou by Xie an, a famous scholar in the Eastern Jin Dynasty, the inscription on Xi Hu Wen, a powerful minister in the Eastern Jin Dynasty, and the inscription on the three tombs by Li Yangbing, a famous seal writer in the Tang Xuanzong era. It is worth mentioning that the remnant monument of the three tombs now exists in the forest of Steles in Xi'an, It is a reprint of the Song Dynasty.
Although more than 20 large and small inscriptions are absolute national treasures, Yang Jing has continuously appreciated so many inscriptions. Even if these inscriptions are precious, Yang Jing has become a little insensitive.
In the middle of these inscriptions, that is, the last one Yang Jing appreciated, it once again gave Yang Jing a big surprise.
"Xizhi's sudden head: it's extremely chaotic. First leave the tomb and then leave the poison. It's cool to chase after it. It's called Mu Jue. The pain runs through the heart and liver. What can I do? Although it's repaired, it's not running fast. What can I do? I don't know what to say! Xizhi's sudden head."
This tablet engraved with extremely beautiful running grass is actually Wang Xizhi's "mourning post"!
The answer given by the holy ring also confirmed Yang Jing's guess.
"The inscription on the tablet of the post of mourning chaos, Wang Xizhi and Hu Meng, 356 years."
Needless to say, the inscription is written by Wang Xizhi, not to mention that Hu Meng is probably a stone carver. In 356 ad, it happened to be the 12th year of Yonghe in the Eastern Jin Dynasty.
When Wang Xizhi wrote the post of funeral chaos, it was because Wang Xizhi's ancestral tomb was destroyed again and again, but he couldn't run to renovate the ancestral tomb, so he wrote a letter to express his helplessness, sadness and anger. Not only in the Han Dynasty, but also in the Eastern Jin Dynasty, where "rites and metaphysics" were practiced, this was extremely painful and intolerable.
According to this situation, historians judge that Wang Xizhi's creation of the funeral chaos tie should be in August of the 12th year of Yonghe in the Eastern Jin Dynasty, that is, 356 A.D.
The earliest surviving "suiluan tie" in the world is a copy from the Tang Dynasty, but it is collected in the hands of Xiaoyue Ben. It should be that Xiao Japanese brought back Japanese from the Tang Dynasty when he sent envoys to the Tang Dynasty.
As a result, even the copy of the Tang Dynasty has now become a rare treasure.
And now I have found the inscription of the "suiluan tie", which is obviously a hundred times higher than the copy of the Tang Dynasty. As long as this tablet is published, China will not have to feel sorry for the copy of Tang Dynasty.
What's great about your little Japanese? Your collection is only a copy of Tang Dynasty. Look what we have here? This is the genuine stele inscription of the funeral placard written by Wang Xizhi!
These inscriptions, especially the last one of the inscriptions of the post of mourning chaos, are really an unexpected harvest.
Yang Jing estimated that these inscriptions should be given to yuechengzi by Li Congke, or some of them were collected by yuechengzi himself. After all, judging from the previous two stone tablets, yuechengzi still liked the inscriptions very much. He even explained his later affairs through the inscriptions.
Taoists who like inscriptions so much are bound to collect some inscriptions wantonly under the trust of Li Congke, the late Tang emperor.
In the history of Wei, Jin, Sui and Tang Dynasties, almost none of the steles can be completely preserved, even the remnant steles are extremely rare. However, yuechengzi kept these precious inscriptions in the mausoleum for more than a thousand years!
It is the so-called "there is God's will in the dark", "every plant and tree has its own destiny, and every drink and peck the leading edge of freedom". If Yue Chengzi didn't like the inscriptions so much, if he hadn't left all the collected inscriptions with him for burial, it is estimated that these inscriptions would have disappeared in the long river of history, and the inheritance of Chinese ancestors would be missing a wonderful part.
Yang Jing suddenly felt that yuechengzi was really a noble man who hit him. He not only got the legendary imperial seal, but also gained so many precious inscriptions. Did yuechengzi owe himself a lot of money in his previous life when he was alive? That's why I used this way to repay myself a thousand years later?
It's hard for Yang Jing not to think so. The harvest tonight is so great that Yang Jing is a little suspicious.
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Being underground, Yang Jing couldn't figure out the East, West, North and south. She could only distinguish her position by front, back, left and right.
In the corner of the huge cave hall, there was an open stone door. Yang Jing walked in with a lamp and was immediately attracted by the things inside.
This stone chamber should be a stone chamber that has not been used in Wu Zetian's mausoleum. It is unknown whether Wu Zetian wants to use this stone chamber to hold funeral objects or anything else.
The area of the stone chamber is OK. It is five meters long and wide, and its height is about two and a half meters.
In this stone chamber, there are no less than 20 uneven stone tablets of different sizes.
Yang Jing approached one of the stone tablets about 1.2 meters high and 50 cm wide. With the help of the light, she felt that her scalp began to numb.
It's not that this stone tablet is engraved with something scary, but Yang Jingqian thought for a long time, but he really didn't expect to see this stone tablet in this basement.
"Master Meng's inscription: watching the sun at the beginning of the day means that it's like galloping; huge rivers divert and tend to the Bohai Sea without stopping. Yes, even people have no choice..."
Yang Jing's scalp is not numb. These lines engraved on the stone tablet are very famous. This is the beginning of master Meng's tablet, a masterpiece handed down by Chu suiliang, one of the four masters of the early Tang Dynasty!
As one of the four masters of the early Tang Dynasty, Yang Jing still knew Chu suiliang better. Yang Jing once saw this masterpiece from some materials about ancient calligraphers given by the second master Xiao Lao.
"The full name of the monument of master Meng is the monument of master Meng of the supreme moral Temple of the capital. It is inscribed in the main book of the Tang Dynasty, written in the text of Tang Cen, written in the book of Chu suiliang, and engraved in the 16th year of Zhenguan. The monument has been lost several times. Only Li Zonghan of the Qing Dynasty has collected the extension of the Tang Dynasty."
According to the information, Li Shimin, who likes calligraphy, ordered Cen to write an article on master Meng's stele, and then asked Chu suiliang to write it and finally engrave it on the stele. However, the stone tablet has long been lost. Now there are only Tang Dynasty rubbings of Li Zonghan in the Qing Dynasty.
The rubbings of the Tang Dynasty kept by Li Zonghan alone are already the treasure of the country, let alone the original inscription of master Meng's monument. If it can be found, it is definitely one of the most precious cultural relics.
What the hell is this inscription in front of you? Is this stele really the original stele of master Meng?
Yang Jing has never seen Li Zonghan's rubbings of the Tang Dynasty, but from this inscription, Yang Jing can clearly feel the atmosphere coming to his face. The inscriptions on both sides of the stele are densely engraved, but even those who do not understand calligraphy feel very comfortable. This is definitely an inscription by a famous master.
If this inscription is true, it is too important.
Without saying a word, he brushed his left hand, and the holy ring immediately gave the answer Yang Jing wanted.
"The monument of master Meng, the master of the supreme moral concept of the capital", Chu suiliang, cen Wenwen and Zhao Dashi, 642. "
Sure enough, it is the genuine product of master Meng's monument!
Yang Jing couldn't help smiling. The answer given by Shengjie can't be wrong. The monument to master Meng itself is a masterpiece written by Cen Wenwen and Chu suiliang. As for Zhao Dashi, it is estimated that he is a stone carver. The year of 642 is also the year of the inscription on the.
"National treasure!" Yang jingle reached out again and brushed the stone tablet into the storage space.
The first stone tablet is such a good treasure. Yang Jing can't help looking forward to the remaining more than 20 stone tablets.
The second stone tablet continued to make Yang Jing's heart beat wildly, because it was an inscription by Ouyang Xun, the head of the four masters in the early Tang Dynasty, and there was no historical record. If it was taken out, it would definitely cause a sensation.
Ouyang Xun is Chu suiliang's calligraphy teacher! That reputation is not ordinary.
Although the third tablet is not big, with only more than 100 words on it, it is equally incomparable. It is the authentic tablet of changfengtie copied by Liu Gongquan from the calligrapher Wang Xizhi.
The identification result of the fourth tablet almost shut down Yang Jing's heart, because the handwriting on the tablet was actually written by Zhong Yao, and it was also Zhong Yao's small regular script!
Who is Zhong you? It is estimated that none of the people who study calligraphy in China do not know the name of the great master.
Zhong Yao was a famous calligrapher and politician of Cao Wei during the Three Kingdoms period. He was good at seal, official, true, line and grass. He was quite accomplished in calligraphy, promoted the development of regular script (small regular script), and was respected as the "ancestor of regular script" by later generations.
Wang Xizhi's calligraphy enlightenment teacher was Wei Shuo, the famous calligrapher of the Jin Dynasty, that is, Mrs. Wei, and Wei shuozheng's teacher was Zhong Yao. Therefore, in terms of seniority, Wang Xizhi was Zhong Yao's disciple.
Zhong Yao has a very high position in the calligraphy field. He is called "Zhong Wang" together with Wang Xizhi, and his ranking is still before Wang Xizhi.
This stone tablet is a little incomplete, missing a corner, but the content of the inscription is not less. This inscription is an inscription on Hedong, which has never been recorded in history, but the answer given by the holy ring is indeed Zhong Yao's work.
The value of these four inscriptions alone is difficult to estimate, especially if they have words. Looking around the world, as long as it is a cultural relic with words, its value is much higher than that of cultural relics of the same age.
These inscriptions definitely play a great role in promoting the study of the Tang Dynasty and the culture before the Tang Dynasty. Therefore, the value of these inscriptions is no worse than that of calligraphy and painting in the same period.
In addition to these inscriptions, there are other inscriptions in the Wei, Jin, Sui and Tang Dynasties. For example, the inscription of Er Zhu Chang stele by Xue Daoheng, a famous calligrapher in the Sui Dynasty, and the inscription of good deeds Fu by Wang Kuang in the Eastern Jin Dynasty, it is worth mentioning that Wang Kuang is Wang Xizhi's father.
In addition, there are the inscriptions on the crescent note by Wang Huizhi, the fifth son of Wang Xizhi, the discussion on the funeral of Wei Zhi and Zhou by Xie an, a famous scholar in the Eastern Jin Dynasty, the inscription on Xi Hu Wen, a powerful minister in the Eastern Jin Dynasty, and the inscription on the three tombs by Li Yangbing, a famous seal writer in the Tang Xuanzong era. It is worth mentioning that the remnant monument of the three tombs now exists in the forest of Steles in Xi'an, It is a reprint of the Song Dynasty.
Although more than 20 large and small inscriptions are absolute national treasures, Yang Jing has continuously appreciated so many inscriptions. Even if these inscriptions are precious, Yang Jing has become a little insensitive.
In the middle of these inscriptions, that is, the last one Yang Jing appreciated, it once again gave Yang Jing a big surprise.
"Xizhi's sudden head: it's extremely chaotic. First leave the tomb and then leave the poison. It's cool to chase after it. It's called Mu Jue. The pain runs through the heart and liver. What can I do? Although it's repaired, it's not running fast. What can I do? I don't know what to say! Xizhi's sudden head."
This tablet engraved with extremely beautiful running grass is actually Wang Xizhi's "mourning post"!
The answer given by the holy ring also confirmed Yang Jing's guess.
"The inscription on the tablet of the post of mourning chaos, Wang Xizhi and Hu Meng, 356 years."
Needless to say, the inscription is written by Wang Xizhi, not to mention that Hu Meng is probably a stone carver. In 356 ad, it happened to be the 12th year of Yonghe in the Eastern Jin Dynasty.
When Wang Xizhi wrote the post of funeral chaos, it was because Wang Xizhi's ancestral tomb was destroyed again and again, but he couldn't run to renovate the ancestral tomb, so he wrote a letter to express his helplessness, sadness and anger. Not only in the Han Dynasty, but also in the Eastern Jin Dynasty, where "rites and metaphysics" were practiced, this was extremely painful and intolerable.
According to this situation, historians judge that Wang Xizhi's creation of the funeral chaos tie should be in August of the 12th year of Yonghe in the Eastern Jin Dynasty, that is, 356 A.D.
The earliest surviving "suiluan tie" in the world is a copy from the Tang Dynasty, but it is collected in the hands of Xiaoyue Ben. It should be that Xiao Japanese brought back Japanese from the Tang Dynasty when he sent envoys to the Tang Dynasty.
As a result, even the copy of the Tang Dynasty has now become a rare treasure.
And now I have found the inscription of the "suiluan tie", which is obviously a hundred times higher than the copy of the Tang Dynasty. As long as this tablet is published, China will not have to feel sorry for the copy of Tang Dynasty.
What's great about your little Japanese? Your collection is only a copy of Tang Dynasty. Look what we have here? This is the genuine stele inscription of the funeral placard written by Wang Xizhi!
These inscriptions, especially the last one of the inscriptions of the post of mourning chaos, are really an unexpected harvest.
Yang Jing estimated that these inscriptions should be given to yuechengzi by Li Congke, or some of them were collected by yuechengzi himself. After all, judging from the previous two stone tablets, yuechengzi still liked the inscriptions very much. He even explained his later affairs through the inscriptions.
Taoists who like inscriptions so much are bound to collect some inscriptions wantonly under the trust of Li Congke, the late Tang emperor.
In the history of Wei, Jin, Sui and Tang Dynasties, almost none of the steles can be completely preserved, even the remnant steles are extremely rare. However, yuechengzi kept these precious inscriptions in the mausoleum for more than a thousand years!
It is the so-called "there is God's will in the dark", "every plant and tree has its own destiny, and every drink and peck the leading edge of freedom". If Yue Chengzi didn't like the inscriptions so much, if he hadn't left all the collected inscriptions with him for burial, it is estimated that these inscriptions would have disappeared in the long river of history, and the inheritance of Chinese ancestors would be missing a wonderful part.
Yang Jing suddenly felt that yuechengzi was really a noble man who hit him. He not only got the legendary imperial seal, but also gained so many precious inscriptions. Did yuechengzi owe himself a lot of money in his previous life when he was alive? That's why I used this way to repay myself a thousand years later?
It's hard for Yang Jing not to think so. The harvest tonight is so great that Yang Jing is a little suspicious.
Being underground, Yang Jing couldn't figure out the East, West, North and south. She could only distinguish her position by front, back, left and right.In the corner of the huge cave hall, there was an open stone door. Yang Jing walked in with a lamp and was immediately attracted by the things inside.This stone chamber should be a stone chamber that has not been used in Wu Zetian's mausoleum. It is unknown whether Wu Zetian wants to use this stone chamber to hold funeral objects or anything else.The area of the stone chamber is OK. It is five meters long and wide, and its height is about two and a half meters.In this stone chamber, there are no less than 20 uneven stone tablets of different sizes.Yang Jing approached one of the stone tablets about 1.2 meters high and 50 cm wide. With the help of the light, she felt that her scalp began to numb.It's not that this stone tablet is engraved with something scary, but Yang Jingqian thought for a long time, but he really didn't expect to see this stone tablet in this basement."Master Meng's inscription: watching the sun at the beginning of the day means that it's like galloping; huge rivers divert and tend to the Bohai Sea without stopping. Yes, even people have no choice..."Yang Jing's scalp is not numb. These lines engraved on the stone tablet are very famous. This is the beginning of master Meng's tablet, a masterpiece handed down by Chu suiliang, one of the four masters of the early Tang Dynasty!As one of the four masters of the early Tang Dynasty, Yang Jing still knew Chu suiliang better. Yang Jing once saw this masterpiece from some materials about ancient calligraphers given by the second master Xiao Lao."The full name of the monument of master Meng is the monument of master Meng of the supreme moral Temple of the capital. It is inscribed in the main book of the Tang Dynasty, written in the text of Tang Cen, written in the book of Chu suiliang, and engraved in the 16th year of Zhenguan. The monument has been lost several times. Only Li Zonghan of the Qing Dynasty has collected the extension of the Tang Dynasty."According to the information, Li Shimin, who likes calligraphy, ordered Cen to write an article on master Meng's stele, and then asked Chu suiliang to write it and finally engrave it on the stele. However, the stone tablet has long been lost. Now there are only Tang Dynasty rubbings of Li Zonghan in the Qing Dynasty.The rubbings of the Tang Dynasty kept by Li Zonghan alone are already the treasure of the country, let alone the original inscription of master Meng's monument. If it can be found, it is definitely one of the most precious cultural relics.What the hell is this inscription in front of you? Is this stele really the original stele of master Meng?Yang Jing has never seen Li Zonghan's rubbings of the Tang Dynasty, but from this inscription, Yang Jing can clearly feel the atmosphere coming to his face. The inscriptions on both sides of the stele are densely engraved, but even those who do not understand calligraphy feel very comfortable. This is definitely an inscription by a famous master.If this inscription is true, it is too important.Without saying a word, he brushed his left hand, and the holy ring immediately gave the answer Yang Jing wanted."The monument of master Meng, the master of the supreme moral concept of the capital", Chu suiliang, cen Wenwen and Zhao Dashi, 642. "Sure enough, it is the genuine product of master Meng's monument!Yang Jing couldn't help smiling. The answer given by Shengjie can't be wrong. The monument to master Meng itself is a masterpiece written by Cen Wenwen and Chu suiliang. As for Zhao Dashi, it is estimated that he is a stone carver. The year of 642 is also the year of the inscription on the."National treasure!" Yang jingle reached out again and brushed the stone tablet into the storage space.The first stone tablet is such a good treasure. Yang Jing can't help looking forward to the remaining more than 20 stone tablets.The second stone tablet continued to make Yang Jing's heart beat wildly, because it was an inscription by Ouyang Xun, the head of the four masters in the early Tang Dynasty, and there was no historical record. If it was taken out, it would definitely cause a sensation.Ouyang Xun is Chu suiliang's calligraphy teacher! That reputation is not ordinary.Although the third tablet is not big, with only more than 100 words on it, it is equally incomparable. It is the authentic tablet of changfengtie copied by Liu Gongquan from the calligrapher Wang Xizhi.The identification result of the fourth tablet almost shut down Yang Jing's heart, because the handwriting on the tablet was actually written by Zhong Yao, and it was also Zhong Yao's small regular script!Who is Zhong you? It is estimated that none of the people who study calligraphy in China do not know the name of the great master.Zhong Yao was a famous calligrapher and politician of Cao Wei during the Three Kingdoms period. He was good at seal, official, true, line and grass. He was quite accomplished in calligraphy, promoted the development of regular script small regular script, and was respected as the "ancestor of regular script" by later generations.Wang Xizhi's calligraphy enlightenment teacher was Wei Shuo, the famous calligrapher of the Jin Dynasty, that is, Mrs. Wei, and Wei shuozheng's teacher was Zhong Yao. Therefore, in terms of seniority, Wang Xizhi was Zhong Yao's disciple.Zhong Yao has a very high position in the calligraphy field. He is called "Zhong Wang" together with Wang Xizhi, and his ranking is still before Wang Xizhi.This stone tablet is a little incomplete, missing a corner, but the content of the inscription is not less. This inscription is an inscription on Hedong, which has never been recorded in history, but the answer given by the holy ring is indeed Zhong Yao's work.The value of these four inscriptions alone is difficult to estimate, especially if they have words. Looking around the world, as long as it is a cultural relic with words, its value is much higher than that of cultural relics of the same age.These inscriptions definitely play a great role in promoting the study of the Tang Dynasty and the culture before the Tang Dynasty. Therefore, the value of these inscriptions is no worse than that of calligraphy and painting in the same period.In addition to these inscriptions, there are other inscriptions in the Wei, Jin, Sui and Tang Dynasties. For example, the inscription of Er Zhu Chang stele by Xue Daoheng, a famous calligrapher in the Sui Dynasty, and the inscription of good deeds Fu by Wang Kuang in the Eastern Jin Dynasty, it is worth mentioning that Wang Kuang is Wang Xizhi's father.In addition, there are the inscriptions on the crescent note by Wang Huizhi, the fifth son of Wang Xizhi, the discussion on the funeral of Wei Zhi and Zhou by Xie an, a famous scholar in the Eastern Jin Dynasty, the inscription on Xi Hu Wen, a powerful minister in the Eastern Jin Dynasty, and the inscription on the three tombs by Li Yangbing, a famous seal writer in the Tang Xuanzong era. It is worth mentioning that the remnant monument of the three tombs now exists in the forest of Steles in Xi'an, It is a reprint of the Song Dynasty.Although more than 20 large and small inscriptions are absolute national treasures, Yang Jing has continuously appreciated so many inscriptions. Even if these inscriptions are precious, Yang Jing has become a little insensitive.In the middle of these inscriptions, that is, the last one Yang Jing appreciated, it once again gave Yang Jing a big surprise."Xizhi's sudden head: it's extremely chaotic. First leave the tomb and then leave the poison. It's cool to chase after it. It's called Mu Jue. The pain runs through the heart and liver. What can I do? Although it's repaired, it's not running fast. What can I do? I don't know what to say! Xizhi's sudden head."This tablet engraved with extremely beautiful running grass is actually Wang Xizhi's "mourning post"!The answer given by the holy ring also confirmed Yang Jing's guess."The inscription on the tablet of the post of mourning chaos, Wang Xizhi and Hu Meng, 356 years."Needless to say, the inscription is written by Wang Xizhi, not to mention that Hu Meng is probably a stone carver. In 356 ad, it happened to be the 12th year of Yonghe in the Eastern Jin Dynasty.When Wang Xizhi wrote the post of funeral chaos, it was because Wang Xizhi's ancestral tomb was destroyed again and again, but he couldn't run to renovate the ancestral tomb, so he wrote a letter to express his helplessness, sadness and anger. Not only in the Han Dynasty, but also in the Eastern Jin Dynasty, where "rites and metaphysics" were practiced, this was extremely painful and intolerable.According to this situation, historians judge that Wang Xizhi's creation of the funeral chaos tie should be in August of the 12th year of Yonghe in the Eastern Jin Dynasty, that is, 356 A.D.The earliest surviving "suiluan tie" in the world is a copy from the Tang Dynasty, but it is collected in the hands of Xiaoyue Ben. It should be that Xiao Japanese brought back Japanese from the Tang Dynasty when he sent envoys to the Tang Dynasty.As a result, even the copy of the Tang Dynasty has now become a rare treasure.And now I have found the inscription of the "suiluan tie", which is obviously a hundred times higher than the copy of the Tang Dynasty. As long as this tablet is published, China will not have to feel sorry for the copy of Tang Dynasty.What's great about your little Japanese? Your collection is only a copy of Tang Dynasty. Look what we have here? This is the genuine stele inscription of the funeral placard written by Wang Xizhi!These inscriptions, especially the last one of the inscriptions of the post of mourning chaos, are really an unexpected harvest.Yang Jing estimated that these inscriptions should be given to yuechengzi by Li Congke, or some of them were collected by yuechengzi himself. After all, judging from the previous two stone tablets, yuechengzi still liked the inscriptions very much. He even explained his later affairs through the inscriptions.Taoists who like inscriptions so much are bound to collect some inscriptions wantonly under the trust of Li Congke, the late Tang emperor.In the history of Wei, Jin, Sui and Tang Dynasties, almost none of the steles can be completely preserved, even the remnant steles are extremely rare. However, yuechengzi kept these precious inscriptions in the mausoleum for more than a thousand years!It is the so-called "there is God's will in the dark", "every plant and tree has its own destiny, and every drink and peck the leading edge of freedom". If Yue Chengzi didn't like the inscriptions so much, if he hadn't left all the collected inscriptions with him for burial, it is estimated that these inscriptions would have disappeared in the long river of history, and the inheritance of Chinese ancestors would be missing a wonderful part.Yang Jing suddenly felt that yuechengzi was really a noble man who hit him. He not only got the legendary imperial seal, but also gained so many precious inscriptions. Did yuechengzi owe himself a lot of money in his previous life when he was alive? That's why I used this way to repay myself a thousand years later?It's hard for Yang Jing not to think so. The harvest tonight is so great that Yang Jing is a little suspicious.
