Chapter 552: 552
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In fact, the authentic work of the preface to the Lanting anthology is now in Yang Jing's storage space, which has explained many problems.
Since the preface to the Lanting collection designated by Li Er to be buried was secretly replaced by his son, it is not surprising that as Li Zhi's wife, this authentic work fell into Wu Zetian's hands.
Wu Meiniang is absolutely a bold master. She dares to steal the world of Lao Li's family. What is the authentic work of Lanting Ji Xu?
Wu Zetian also likes calligraphy very much. If Li Zhizhen stealthily replaced the authentic work of Lanting Jixu, which his father Li Er was going to be buried with, what would happen if Wu Zetian took it as her own after Li Zhi's death?
Perhaps she saw Li Zhi secretly replace the preface to the Lanting anthology that was originally buried with his Lao Tzu. Wu Zetian was also worried that her son would be greedy for his funeral goods after her death, so she placed the funeral goods in the mausoleum in advance, including the authentic work of the preface to the Lanting Anthology.
But Wu Meiniang didn't expect that although her son didn't know what she had prepared, her son was more cruel and directly buried her with Li Zhi in the Qianling mausoleum. Naturally, the mausoleum carefully built by Wu Zetian for herself was useless. Finally, all the funeral objects arranged by Wu Zetian were cheap, Yang Jing.
Yang Jing, who figured out all this, couldn't help laughing and crying. He didn't expect that Wu Zetian, the eternal emperor, had a fate with herself for more than a thousand years
But this is a good thing after all, first the national jade seal, then those precious inscriptions, then the famous hand copied Buddhist scriptures whose value is difficult to estimate, and then the authentic work of Wang Xizhi's preface to Lanting collection. If it hadn't been for Wu Zetian's doing so, these things would have been cheaper than any tomb robber.
Yang Jingxi Zizi put away the preface to the Lanting anthology and began to shift her energy to the next goal.
The closer Yang Jing is to the center of the tomb, the more brocade boxes made of golden Phoebe. There is no doubt that these brocade boxes are definitely full of precious burial objects.
Sure enough, when Yang Jing opened one of the long strip-shaped brocade boxes, there was a scroll inside. Then Yang Jing resolutely threw all the boxes and paintings into the space just as he had just dealt with the preface to the Lanting collection.
After opening the painting in space, Yang Jing found that it was actually a painting painted by Yan Liben, a famous painter in the early Tang Dynasty.
This painting seems to be a prosperous scene when a shop opened in a workshop in Chang'an, which is rare.
Yan Liben is good at figure painting. Whether it is the picture of chariots or the picture of emperors of previous dynasties, it truly reflects the characteristics of Yan Liben's painting. Even Yang Jing thought that Yan Liben usually only painted portraits. Unexpectedly, he saw a painting similar to the picture of the river during the Qingming Festival.
Of course, this painting is not as huge as the picture of the river on the Qingming Festival. It almost painted half of biankyoto. The scale of this painting is not small, but it is a painting after intercepting a street and enlarging one of the scenes.
If Zhang Zeduan's picture of the river during the Qingming Festival is large and complete, then this picture is small and fine.
Like the paintings of many painters in the Tang Dynasty, the painting is on the left and the words are on the right. There is a paragraph at the end of the scroll indicating how the painting came from.
After reading the words in the back, Yang Jing knew that the picture entitled "opening of rice shop in Dongshi" was Yan Liben. When he passed Dongshi after drinking with his friends, he accidentally saw the opening of a rice shop. It was very festive. Therefore, Yan Liben made a great deal of painting and splashed ink on the spot.
But Yang Jing thought for a long time and didn't remember the record about the painting in the relevant historical records. That shows that the painting did not spread outside after its creation. Maybe it was collected by the shopkeeper of the rice shop at that time, or it was directly collected in the palace.
At the beginning of the Tang Dynasty, Yan Liben was a great painter more than Wu Daozi. Yan Liben died more than ten years before Wu Daozi was born. Therefore, in the early Tang Dynasty, Yan Liben was the most outstanding painter.
This painting has no historical records, but that doesn't mean it's not precious. Anyway, this painting is also Yan Liben's work, and the style is very different from his usual painting style, so this painting is even more precious.
Put away!
After discovering Yan Liben's painting, Yang Jing found two portraits of Yan Lide, Yan Liben's brother, as well as the paintings of famous painters such as Zheng FASI in the early Sui Dynasty, Lu Tanwei in the Southern Dynasty and Zhan Ziqian in the Sui Dynasty.
These paintings are either not recorded in history, or there are records, but the authentic works have long been lost, leaving only copies. Now all these paintings have been found here.
Yang Jing had thought about finding one or two paintings of Saint Wu Daozi here. As a result, she didn't find them for a long time. When she thought about it carefully, she was a little confused.
When Wu Zetian died, Wu Daozi was only in his twenties and had not become famous. Naturally, his paintings would not be collected by Wu Zetian as burial objects
Wu Zetian is worthy of being a queen of a generation. Naturally, the funerary objects she carefully prepared for herself will not be worse. Of course, it may be that Wu Zetian has more respect for Buddhism, so these precious burial objects are put together with other gold, silver and jewelry, rather than in a tomb alone like those Buddhist scriptures and statues.
In addition to these paintings, Yang Jing also found more than ten calligraphy works, all of which were the works of famous calligraphers in the Sui and Tang Dynasties of the northern and Southern Dynasties.
Whether those paintings or these calligraphy works are invaluable national treasures in modern times, but now these national treasures are scattered on the ground of this tomb. Obviously, Wu Zetian paid less attention to these calligraphy and paintings than those Buddhist scriptures and statues.
It's no wonder that even Wang Xizhi's preface to the Lanting anthology is put here, and the works of other calligraphers are inevitably accompanied by the preface to the Lanting anthology here.
After a long time of sorting, Yang Jing packed all the funerary objects that fell out of the six scattered wooden boxes into the storage space, even the six scattered boxes.
This is golden nanmu. Even if you take it out to make furniture after you go back, it can be called a treasure.
With fewer and fewer funerary objects on the ground, more than a dozen larger things gradually emerged.
When Yang Jing finished sorting out all the funerary objects and revealed the true face of more than a dozen large objects, Rao Shiyang Jing saw many national treasures today. Now he is almost numb and is still surprised by these large funerary objects in front of him.
Twelve gold statues more than one meter high are placed in the center of the tomb, and among the twelve gold statues are eight small and one large tripods with simple styles and different shapes
Yang Jing took a breath when she saw these things
PS: I'll take the ticket home early tomorrow morning and come out. Lao Mo is almost dead tired. He hasn't updated a lot. Please forgive me
Please report us if you find any errors so we can fix it asap!
In fact, the authentic work of the preface to the Lanting anthology is now in Yang Jing's storage space, which has explained many problems.
Since the preface to the Lanting collection designated by Li Er to be buried was secretly replaced by his son, it is not surprising that as Li Zhi's wife, this authentic work fell into Wu Zetian's hands.
Wu Meiniang is absolutely a bold master. She dares to steal the world of Lao Li's family. What is the authentic work of Lanting Ji Xu?
Wu Zetian also likes calligraphy very much. If Li Zhizhen stealthily replaced the authentic work of Lanting Jixu, which his father Li Er was going to be buried with, what would happen if Wu Zetian took it as her own after Li Zhi's death?
Perhaps she saw Li Zhi secretly replace the preface to the Lanting anthology that was originally buried with his Lao Tzu. Wu Zetian was also worried that her son would be greedy for his funeral goods after her death, so she placed the funeral goods in the mausoleum in advance, including the authentic work of the preface to the Lanting Anthology.
But Wu Meiniang didn't expect that although her son didn't know what she had prepared, her son was more cruel and directly buried her with Li Zhi in the Qianling mausoleum. Naturally, the mausoleum carefully built by Wu Zetian for herself was useless. Finally, all the funeral objects arranged by Wu Zetian were cheap, Yang Jing.
Yang Jing, who figured out all this, couldn't help laughing and crying. He didn't expect that Wu Zetian, the eternal emperor, had a fate with herself for more than a thousand years
But this is a good thing after all, first the national jade seal, then those precious inscriptions, then the famous hand copied Buddhist scriptures whose value is difficult to estimate, and then the authentic work of Wang Xizhi's preface to Lanting collection. If it hadn't been for Wu Zetian's doing so, these things would have been cheaper than any tomb robber.
Yang Jingxi Zizi put away the preface to the Lanting anthology and began to shift her energy to the next goal.
The closer Yang Jing is to the center of the tomb, the more brocade boxes made of golden Phoebe. There is no doubt that these brocade boxes are definitely full of precious burial objects.
Sure enough, when Yang Jing opened one of the long strip-shaped brocade boxes, there was a scroll inside. Then Yang Jing resolutely threw all the boxes and paintings into the space just as he had just dealt with the preface to the Lanting collection.
After opening the painting in space, Yang Jing found that it was actually a painting painted by Yan Liben, a famous painter in the early Tang Dynasty.
This painting seems to be a prosperous scene when a shop opened in a workshop in Chang'an, which is rare.
Yan Liben is good at figure painting. Whether it is the picture of chariots or the picture of emperors of previous dynasties, it truly reflects the characteristics of Yan Liben's painting. Even Yang Jing thought that Yan Liben usually only painted portraits. Unexpectedly, he saw a painting similar to the picture of the river during the Qingming Festival.
Of course, this painting is not as huge as the picture of the river on the Qingming Festival. It almost painted half of biankyoto. The scale of this painting is not small, but it is a painting after intercepting a street and enlarging one of the scenes.
If Zhang Zeduan's picture of the river during the Qingming Festival is large and complete, then this picture is small and fine.
Like the paintings of many painters in the Tang Dynasty, the painting is on the left and the words are on the right. There is a paragraph at the end of the scroll indicating how the painting came from.
After reading the words in the back, Yang Jing knew that the picture entitled "opening of rice shop in Dongshi" was Yan Liben. When he passed Dongshi after drinking with his friends, he accidentally saw the opening of a rice shop. It was very festive. Therefore, Yan Liben made a great deal of painting and splashed ink on the spot.
But Yang Jing thought for a long time and didn't remember the record about the painting in the relevant historical records. That shows that the painting did not spread outside after its creation. Maybe it was collected by the shopkeeper of the rice shop at that time, or it was directly collected in the palace.
At the beginning of the Tang Dynasty, Yan Liben was a great painter more than Wu Daozi. Yan Liben died more than ten years before Wu Daozi was born. Therefore, in the early Tang Dynasty, Yan Liben was the most outstanding painter.
This painting has no historical records, but that doesn't mean it's not precious. Anyway, this painting is also Yan Liben's work, and the style is very different from his usual painting style, so this painting is even more precious.
Put away!
After discovering Yan Liben's painting, Yang Jing found two portraits of Yan Lide, Yan Liben's brother, as well as the paintings of famous painters such as Zheng FASI in the early Sui Dynasty, Lu Tanwei in the Southern Dynasty and Zhan Ziqian in the Sui Dynasty.
These paintings are either not recorded in history, or there are records, but the authentic works have long been lost, leaving only copies. Now all these paintings have been found here.
Yang Jing had thought about finding one or two paintings of Saint Wu Daozi here. As a result, she didn't find them for a long time. When she thought about it carefully, she was a little confused.
When Wu Zetian died, Wu Daozi was only in his twenties and had not become famous. Naturally, his paintings would not be collected by Wu Zetian as burial objects
Wu Zetian is worthy of being a queen of a generation. Naturally, the funerary objects she carefully prepared for herself will not be worse. Of course, it may be that Wu Zetian has more respect for Buddhism, so these precious burial objects are put together with other gold, silver and jewelry, rather than in a tomb alone like those Buddhist scriptures and statues.
In addition to these paintings, Yang Jing also found more than ten calligraphy works, all of which were the works of famous calligraphers in the Sui and Tang Dynasties of the northern and Southern Dynasties.
Whether those paintings or these calligraphy works are invaluable national treasures in modern times, but now these national treasures are scattered on the ground of this tomb. Obviously, Wu Zetian paid less attention to these calligraphy and paintings than those Buddhist scriptures and statues.
It's no wonder that even Wang Xizhi's preface to the Lanting anthology is put here, and the works of other calligraphers are inevitably accompanied by the preface to the Lanting anthology here.
After a long time of sorting, Yang Jing packed all the funerary objects that fell out of the six scattered wooden boxes into the storage space, even the six scattered boxes.
This is golden nanmu. Even if you take it out to make furniture after you go back, it can be called a treasure.
With fewer and fewer funerary objects on the ground, more than a dozen larger things gradually emerged.
When Yang Jing finished sorting out all the funerary objects and revealed the true face of more than a dozen large objects, Rao Shiyang Jing saw many national treasures today. Now he is almost numb and is still surprised by these large funerary objects in front of him.
Twelve gold statues more than one meter high are placed in the center of the tomb, and among the twelve gold statues are eight small and one large tripods with simple styles and different shapes
Yang Jing took a breath when she saw these things
PS: I'll take the ticket home early tomorrow morning and come out. Lao Mo is almost dead tired. He hasn't updated a lot. Please forgive me
In fact, the authentic work of the preface to the Lanting anthology is now in Yang Jing's storage space, which has explained many problems.Since the preface to the Lanting collection designated by Li Er to be buried was secretly replaced by his son, it is not surprising that as Li Zhi's wife, this authentic work fell into Wu Zetian's hands.Wu Meiniang is absolutely a bold master. She dares to steal the world of Lao Li's family. What is the authentic work of Lanting Ji Xu?Wu Zetian also likes calligraphy very much. If Li Zhizhen stealthily replaced the authentic work of Lanting Jixu, which his father Li Er was going to be buried with, what would happen if Wu Zetian took it as her own after Li Zhi's death?Perhaps she saw Li Zhi secretly replace the preface to the Lanting anthology that was originally buried with his Lao Tzu. Wu Zetian was also worried that her son would be greedy for his funeral goods after her death, so she placed the funeral goods in the mausoleum in advance, including the authentic work of the preface to the Lanting Anthology.But Wu Meiniang didn't expect that although her son didn't know what she had prepared, her son was more cruel and directly buried her with Li Zhi in the Qianling mausoleum. Naturally, the mausoleum carefully built by Wu Zetian for herself was useless. Finally, all the funeral objects arranged by Wu Zetian were cheap, Yang Jing.Yang Jing, who figured out all this, couldn't help laughing and crying. He didn't expect that Wu Zetian, the eternal emperor, had a fate with herself for more than a thousand yearsBut this is a good thing after all, first the national jade seal, then those precious inscriptions, then the famous hand copied Buddhist scriptures whose value is difficult to estimate, and then the authentic work of Wang Xizhi's preface to Lanting collection. If it hadn't been for Wu Zetian's doing so, these things would have been cheaper than any tomb robber.Yang Jingxi Zizi put away the preface to the Lanting anthology and began to shift her energy to the next goal.The closer Yang Jing is to the center of the tomb, the more brocade boxes made of golden Phoebe. There is no doubt that these brocade boxes are definitely full of precious burial objects.Sure enough, when Yang Jing opened one of the long strip-shaped brocade boxes, there was a scroll inside. Then Yang Jing resolutely threw all the boxes and paintings into the space just as he had just dealt with the preface to the Lanting collection.After opening the painting in space, Yang Jing found that it was actually a painting painted by Yan Liben, a famous painter in the early Tang Dynasty.This painting seems to be a prosperous scene when a shop opened in a workshop in Chang'an, which is rare.Yan Liben is good at figure painting. Whether it is the picture of chariots or the picture of emperors of previous dynasties, it truly reflects the characteristics of Yan Liben's painting. Even Yang Jing thought that Yan Liben usually only painted portraits. Unexpectedly, he saw a painting similar to the picture of the river during the Qingming Festival.Of course, this painting is not as huge as the picture of the river on the Qingming Festival. It almost painted half of biankyoto. The scale of this painting is not small, but it is a painting after intercepting a street and enlarging one of the scenes.If Zhang Zeduan's picture of the river during the Qingming Festival is large and complete, then this picture is small and fine.Like the paintings of many painters in the Tang Dynasty, the painting is on the left and the words are on the right. There is a paragraph at the end of the scroll indicating how the painting came from.After reading the words in the back, Yang Jing knew that the picture entitled "opening of rice shop in Dongshi" was Yan Liben. When he passed Dongshi after drinking with his friends, he accidentally saw the opening of a rice shop. It was very festive. Therefore, Yan Liben made a great deal of painting and splashed ink on the spot.But Yang Jing thought for a long time and didn't remember the record about the painting in the relevant historical records. That shows that the painting did not spread outside after its creation. Maybe it was collected by the shopkeeper of the rice shop at that time, or it was directly collected in the palace.At the beginning of the Tang Dynasty, Yan Liben was a great painter more than Wu Daozi. Yan Liben died more than ten years before Wu Daozi was born. Therefore, in the early Tang Dynasty, Yan Liben was the most outstanding painter.This painting has no historical records, but that doesn't mean it's not precious. Anyway, this painting is also Yan Liben's work, and the style is very different from his usual painting style, so this painting is even more precious.Put away!After discovering Yan Liben's painting, Yang Jing found two portraits of Yan Lide, Yan Liben's brother, as well as the paintings of famous painters such as Zheng FASI in the early Sui Dynasty, Lu Tanwei in the Southern Dynasty and Zhan Ziqian in the Sui Dynasty.These paintings are either not recorded in history, or there are records, but the authentic works have long been lost, leaving only copies. Now all these paintings have been found here.Yang Jing had thought about finding one or two paintings of Saint Wu Daozi here. As a result, she didn't find them for a long time. When she thought about it carefully, she was a little confused.When Wu Zetian died, Wu Daozi was only in his twenties and had not become famous. Naturally, his paintings would not be collected by Wu Zetian as burial objectsWu Zetian is worthy of being a queen of a generation. Naturally, the funerary objects she carefully prepared for herself will not be worse. Of course, it may be that Wu Zetian has more respect for Buddhism, so these precious burial objects are put together with other gold, silver and jewelry, rather than in a tomb alone like those Buddhist scriptures and statues.In addition to these paintings, Yang Jing also found more than ten calligraphy works, all of which were the works of famous calligraphers in the Sui and Tang Dynasties of the northern and Southern Dynasties.Whether those paintings or these calligraphy works are invaluable national treasures in modern times, but now these national treasures are scattered on the ground of this tomb. Obviously, Wu Zetian paid less attention to these calligraphy and paintings than those Buddhist scriptures and statues.It's no wonder that even Wang Xizhi's preface to the Lanting anthology is put here, and the works of other calligraphers are inevitably accompanied by the preface to the Lanting anthology here.After a long time of sorting, Yang Jing packed all the funerary objects that fell out of the six scattered wooden boxes into the storage space, even the six scattered boxes.This is golden nanmu. Even if you take it out to make furniture after you go back, it can be called a treasure.With fewer and fewer funerary objects on the ground, more than a dozen larger things gradually emerged.When Yang Jing finished sorting out all the funerary objects and revealed the true face of more than a dozen large objects, Rao Shiyang Jing saw many national treasures today. Now he is almost numb and is still surprised by these large funerary objects in front of him.Twelve gold statues more than one meter high are placed in the center of the tomb, and among the twelve gold statues are eight small and one large tripods with simple styles and different shapesYang Jing took a breath when she saw these thingsPS: I'll take the ticket home early tomorrow morning and come out. Lao Mo is almost dead tired. He hasn't updated a lot. Please forgive me
