Chapter 631: 631
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In master Pei's house, Yang Jing harvested seven single pots. Although the number is not as much as the purple sand pots harvested in Master Zhu's house, these seven single pots can be called master Pei's elaborate production during his lifetime. Any pot is an absolute boutique and has great collection value.
Of course, Yang Jing's purchase price is the same as that of Master Zhu's works, both of which are three hundred and one. This price also makes master Pei's eldest son particularly happy.
In fact, in the early 1980s, even the works of master Gu Jingzhou Gu, the tripod bearer in today's purple sand art world, were only 200 yuan a piece. If they were of average quality, they could not even sell for 200 yuan.
The most important thing is that even at this price, few people can buy a large number of bottles at one time. For example, the returned overseas Chinese who has just returned home can spend more than 2000 yuan to buy their own seven single pots at once, which was unimaginable before.
Others don't know, but master Pei's eldest son knows his own situation best. Although the old man who died was very famous, in the six years after his death, the family sold only five pots, with an average of less than one a year.
If it weren't for the young returned overseas Chinese, I don't know when the seven pots made by my father would be sold.
The price of 300 yuan is happy for all.
Yang Jing carefully put the packed seven boxes into the body of the tricycle, and then pulled Master Zhu forward.
The next goal is naturally Gu Jingzhou's home.
Master Zhu and master Gu are close friends. They are villagers in the same street. Although Master Zhu is more than ten years older than master Gu, this does not affect their friendship.
Especially after liberation, Zisha seven old people responded to the call of the state and established Shushan ceramic production cooperative. The two friends directly became colleagues. Especially with the death of the other four of the purple sand seven elders, the friendship between the remaining of them is even more precious.
As for Yang Jing, of course, she also wants to see Gu Jingzhou, a master in purple sand art. It's a great honor for Yang Jing to meet such a real master.
Unfortunately, Yang Jing's wish did not come true, because when Yang Jing took Master Zhu to master Gu's residence, she learned that Master Zhu had gone to the province for a meeting.
You should know that master Gu is less than 70 years old this year. Although he has not served as the director of Yixing purple sand Research Institute, he is already a national craft artist at this time. Compared with the other six of Zisha seven elders, except that master Jiang Rong is a little younger than master Gu, the other five masters are much older than master Gu, and four of them have died.
Therefore, as a tripod bearer in Yixing purple sand industry, master Gu usually has a lot to do. No, he just went to the provincial meeting with his big apprentice master Xu Hantang two days ago and hasn't come back yet.
Yang Jing was disappointed by master Gu's absence, but Yang Jing's purpose of this trip did not fail because of the presence of Master Zhu.
As a good friend of master Gu, when Master Zhu comes to master Gu's house, he is just like when he comes to his own house. Master Zhu knows all the purple clay pots that master Gu exists at home. He knows what can be sold and what can't be sold.
The two masters do not live far away from each other. As long as they are all right, the two masters will gather together to chat and discuss. Therefore, the two masters are very clear about each other's ideas and works.
Making purple clay pots is a very laborious thing. Of course, it will also cost a certain amount of money. These masters are not immortals who don't eat human fireworks. They also need to eat, drink and sleep. Naturally, they also need some funds to maintain their life and career.
Therefore, masters usually sell their works. Of course, most of this happened in recent years. In that buzzing era, no one dared to sell purple clay pots privately, which would be cut off as the tail of capitalism
Although he didn't see his favorite master Gu, Yang Jing also gained a lot at master Gu's house. At the instigation of Master Zhu, Yang Jing spent 3000 yuan to buy ten sets of master Gu's works.
Four of the ten pots are complete sets and six single pots.
Among the four sets of purple clay pots, the largest number of heads is a set of eleven Tibi group pots, which is a set of eleven head group pots composed of one pot, five tea cups and five cup holders.
"Lao Gu made several sets of this pot in those years. At first, this pot was the work of Lao Gu and Professor Gao Zhuang after more than 20 years of deliberation. After the first set was made, it was very popular, so Lao Gu later made several sets to give to friends. Now he still has two sets left, and I'll sell you one." Master Zhu explained to Yang Jing.
This is not nonsense. After they design a set of works and make them, as long as the response is good enough, these masters often make a few more sets privately, whether collecting or sending them to friends.
Just like this set of teapot, master Gu certainly won't make only one set. Of course, Yang Jing doesn't know how many sets he has made, but it is certain that many people who have obtained a set of teapot before the price of master Gu's works began to soar may have used it for their own use. If it is damaged in the process of use, That's not enough.
Yang Jing felt a little dreamy about winning such a set of Tibi group pots for 300 yuan. You know, there is only one set of Gu Jingzhou's Tibi group of pots preserved in future generations. That's because that set of pots was collected in Yixing purple sand Museum. Later, at Poly's 2011 autumn art auction, that set of pots sold for a sky high price of 17.825 million yuan.
Now, you can buy such a set of pots for 300 yuan, which is a big leak.
If you don't have money, put it aside first. This is the Tibi group pot made by master Gu. Thirty years later, this is the second set of preserved Tibi group pots in the world. Naturally, the collection value is self-evident.
In addition to the largest set of Tibi group teapots, Yang Jing also obtained a set of yunjianruyi three head teapot, one pot and two cups.
There is also a set of high waist line lifting beam headless teapot, one pot, two cups and two supports.
The last set of purple clay pots is a set of rain and dew sky star lifting beam nine head teapot, with four cups and four supports.
Later generations have only seen single handle high waist line lifting beam pots and rain and dew sky star lifting beam pots. I really haven't seen them.
As for the remaining six single pots, they are all carefully made by master Gu. One is this music pot, one is a water chestnut pot, one is a flat belly pot, one is an antique Ruyi pot, one is a melon pear pot and one is a rare ink mud jade pot.
These ten sets of pots are all the fine works of master Gu, of which several single pots are mostly antique pots, which are of great collection value.
Yang Jing had nothing to say about being able to buy these ten sets of pots for 3000 yuan. If you don't see it in 30 years, let alone $3000, even if you give you $30 million, you can buy that set of rain open-air star lifting beam nine head teapot
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In master Pei's house, Yang Jing harvested seven single pots. Although the number is not as much as the purple sand pots harvested in Master Zhu's house, these seven single pots can be called master Pei's elaborate production during his lifetime. Any pot is an absolute boutique and has great collection value.
Of course, Yang Jing's purchase price is the same as that of Master Zhu's works, both of which are three hundred and one. This price also makes master Pei's eldest son particularly happy.
In fact, in the early 1980s, even the works of master Gu Jingzhou Gu, the tripod bearer in today's purple sand art world, were only 200 yuan a piece. If they were of average quality, they could not even sell for 200 yuan.
The most important thing is that even at this price, few people can buy a large number of bottles at one time. For example, the returned overseas Chinese who has just returned home can spend more than 2000 yuan to buy their own seven single pots at once, which was unimaginable before.
Others don't know, but master Pei's eldest son knows his own situation best. Although the old man who died was very famous, in the six years after his death, the family sold only five pots, with an average of less than one a year.
If it weren't for the young returned overseas Chinese, I don't know when the seven pots made by my father would be sold.
The price of 300 yuan is happy for all.
Yang Jing carefully put the packed seven boxes into the body of the tricycle, and then pulled Master Zhu forward.
The next goal is naturally Gu Jingzhou's home.
Master Zhu and master Gu are close friends. They are villagers in the same street. Although Master Zhu is more than ten years older than master Gu, this does not affect their friendship.
Especially after liberation, Zisha seven old people responded to the call of the state and established Shushan ceramic production cooperative. The two friends directly became colleagues. Especially with the death of the other four of the purple sand seven elders, the friendship between the remaining of them is even more precious.
As for Yang Jing, of course, she also wants to see Gu Jingzhou, a master in purple sand art. It's a great honor for Yang Jing to meet such a real master.
Unfortunately, Yang Jing's wish did not come true, because when Yang Jing took Master Zhu to master Gu's residence, she learned that Master Zhu had gone to the province for a meeting.
You should know that master Gu is less than 70 years old this year. Although he has not served as the director of Yixing purple sand Research Institute, he is already a national craft artist at this time. Compared with the other six of Zisha seven elders, except that master Jiang Rong is a little younger than master Gu, the other five masters are much older than master Gu, and four of them have died.
Therefore, as a tripod bearer in Yixing purple sand industry, master Gu usually has a lot to do. No, he just went to the provincial meeting with his big apprentice master Xu Hantang two days ago and hasn't come back yet.
Yang Jing was disappointed by master Gu's absence, but Yang Jing's purpose of this trip did not fail because of the presence of Master Zhu.
As a good friend of master Gu, when Master Zhu comes to master Gu's house, he is just like when he comes to his own house. Master Zhu knows all the purple clay pots that master Gu exists at home. He knows what can be sold and what can't be sold.
The two masters do not live far away from each other. As long as they are all right, the two masters will gather together to chat and discuss. Therefore, the two masters are very clear about each other's ideas and works.
Making purple clay pots is a very laborious thing. Of course, it will also cost a certain amount of money. These masters are not immortals who don't eat human fireworks. They also need to eat, drink and sleep. Naturally, they also need some funds to maintain their life and career.
Therefore, masters usually sell their works. Of course, most of this happened in recent years. In that buzzing era, no one dared to sell purple clay pots privately, which would be cut off as the tail of capitalism
Although he didn't see his favorite master Gu, Yang Jing also gained a lot at master Gu's house. At the instigation of Master Zhu, Yang Jing spent 3000 yuan to buy ten sets of master Gu's works.
Four of the ten pots are complete sets and six single pots.
Among the four sets of purple clay pots, the largest number of heads is a set of eleven Tibi group pots, which is a set of eleven head group pots composed of one pot, five tea cups and five cup holders.
"Lao Gu made several sets of this pot in those years. At first, this pot was the work of Lao Gu and Professor Gao Zhuang after more than 20 years of deliberation. After the first set was made, it was very popular, so Lao Gu later made several sets to give to friends. Now he still has two sets left, and I'll sell you one." Master Zhu explained to Yang Jing.
This is not nonsense. After they design a set of works and make them, as long as the response is good enough, these masters often make a few more sets privately, whether collecting or sending them to friends.
Just like this set of teapot, master Gu certainly won't make only one set. Of course, Yang Jing doesn't know how many sets he has made, but it is certain that many people who have obtained a set of teapot before the price of master Gu's works began to soar may have used it for their own use. If it is damaged in the process of use, That's not enough.
Yang Jing felt a little dreamy about winning such a set of Tibi group pots for 300 yuan. You know, there is only one set of Gu Jingzhou's Tibi group of pots preserved in future generations. That's because that set of pots was collected in Yixing purple sand Museum. Later, at Poly's 2011 autumn art auction, that set of pots sold for a sky high price of 17.825 million yuan.
Now, you can buy such a set of pots for 300 yuan, which is a big leak.
If you don't have money, put it aside first. This is the Tibi group pot made by master Gu. Thirty years later, this is the second set of preserved Tibi group pots in the world. Naturally, the collection value is self-evident.
In addition to the largest set of Tibi group teapots, Yang Jing also obtained a set of yunjianruyi three head teapot, one pot and two cups.
There is also a set of high waist line lifting beam headless teapot, one pot, two cups and two supports.
The last set of purple clay pots is a set of rain and dew sky star lifting beam nine head teapot, with four cups and four supports.
Later generations have only seen single handle high waist line lifting beam pots and rain and dew sky star lifting beam pots. I really haven't seen them.
As for the remaining six single pots, they are all carefully made by master Gu. One is this music pot, one is a water chestnut pot, one is a flat belly pot, one is an antique Ruyi pot, one is a melon pear pot and one is a rare ink mud jade pot.
These ten sets of pots are all the fine works of master Gu, of which several single pots are mostly antique pots, which are of great collection value.
Yang Jing had nothing to say about being able to buy these ten sets of pots for 3000 yuan. If you don't see it in 30 years, let alone $3000, even if you give you $30 million, you can buy that set of rain open-air star lifting beam nine head teapot
In master Pei's house, Yang Jing harvested seven single pots. Although the number is not as much as the purple sand pots harvested in Master Zhu's house, these seven single pots can be called master Pei's elaborate production during his lifetime. Any pot is an absolute boutique and has great collection value.Of course, Yang Jing's purchase price is the same as that of Master Zhu's works, both of which are three hundred and one. This price also makes master Pei's eldest son particularly happy.In fact, in the early 1980s, even the works of master Gu Jingzhou Gu, the tripod bearer in today's purple sand art world, were only 200 yuan a piece. If they were of average quality, they could not even sell for 200 yuan.The most important thing is that even at this price, few people can buy a large number of bottles at one time. For example, the returned overseas Chinese who has just returned home can spend more than 2000 yuan to buy their own seven single pots at once, which was unimaginable before.Others don't know, but master Pei's eldest son knows his own situation best. Although the old man who died was very famous, in the six years after his death, the family sold only five pots, with an average of less than one a year.If it weren't for the young returned overseas Chinese, I don't know when the seven pots made by my father would be sold.The price of 300 yuan is happy for all.Yang Jing carefully put the packed seven boxes into the body of the tricycle, and then pulled Master Zhu forward.The next goal is naturally Gu Jingzhou's home.Master Zhu and master Gu are close friends. They are villagers in the same street. Although Master Zhu is more than ten years older than master Gu, this does not affect their friendship.Especially after liberation, Zisha seven old people responded to the call of the state and established Shushan ceramic production cooperative. The two friends directly became colleagues. Especially with the death of the other four of the purple sand seven elders, the friendship between the remaining of them is even more precious.As for Yang Jing, of course, she also wants to see Gu Jingzhou, a master in purple sand art. It's a great honor for Yang Jing to meet such a real master.Unfortunately, Yang Jing's wish did not come true, because when Yang Jing took Master Zhu to master Gu's residence, she learned that Master Zhu had gone to the province for a meeting.You should know that master Gu is less than 70 years old this year. Although he has not served as the director of Yixing purple sand Research Institute, he is already a national craft artist at this time. Compared with the other six of Zisha seven elders, except that master Jiang Rong is a little younger than master Gu, the other five masters are much older than master Gu, and four of them have died.Therefore, as a tripod bearer in Yixing purple sand industry, master Gu usually has a lot to do. No, he just went to the provincial meeting with his big apprentice master Xu Hantang two days ago and hasn't come back yet.Yang Jing was disappointed by master Gu's absence, but Yang Jing's purpose of this trip did not fail because of the presence of Master Zhu.As a good friend of master Gu, when Master Zhu comes to master Gu's house, he is just like when he comes to his own house. Master Zhu knows all the purple clay pots that master Gu exists at home. He knows what can be sold and what can't be sold.The two masters do not live far away from each other. As long as they are all right, the two masters will gather together to chat and discuss. Therefore, the two masters are very clear about each other's ideas and works.Making purple clay pots is a very laborious thing. Of course, it will also cost a certain amount of money. These masters are not immortals who don't eat human fireworks. They also need to eat, drink and sleep. Naturally, they also need some funds to maintain their life and career.Therefore, masters usually sell their works. Of course, most of this happened in recent years. In that buzzing era, no one dared to sell purple clay pots privately, which would be cut off as the tail of capitalismAlthough he didn't see his favorite master Gu, Yang Jing also gained a lot at master Gu's house. At the instigation of Master Zhu, Yang Jing spent 3000 yuan to buy ten sets of master Gu's works.Four of the ten pots are complete sets and six single pots.Among the four sets of purple clay pots, the largest number of heads is a set of eleven Tibi group pots, which is a set of eleven head group pots composed of one pot, five tea cups and five cup holders."Lao Gu made several sets of this pot in those years. At first, this pot was the work of Lao Gu and Professor Gao Zhuang after more than 20 years of deliberation. After the first set was made, it was very popular, so Lao Gu later made several sets to give to friends. Now he still has two sets left, and I'll sell you one." Master Zhu explained to Yang Jing.This is not nonsense. After they design a set of works and make them, as long as the response is good enough, these masters often make a few more sets privately, whether collecting or sending them to friends.Just like this set of teapot, master Gu certainly won't make only one set. Of course, Yang Jing doesn't know how many sets he has made, but it is certain that many people who have obtained a set of teapot before the price of master Gu's works began to soar may have used it for their own use. If it is damaged in the process of use, That's not enough.Yang Jing felt a little dreamy about winning such a set of Tibi group pots for 300 yuan. You know, there is only one set of Gu Jingzhou's Tibi group of pots preserved in future generations. That's because that set of pots was collected in Yixing purple sand Museum. Later, at Poly's 2011 autumn art auction, that set of pots sold for a sky high price of 17.825 million yuan.Now, you can buy such a set of pots for 300 yuan, which is a big leak.If you don't have money, put it aside first. This is the Tibi group pot made by master Gu. Thirty years later, this is the second set of preserved Tibi group pots in the world. Naturally, the collection value is self-evident.In addition to the largest set of Tibi group teapots, Yang Jing also obtained a set of yunjianruyi three head teapot, one pot and two cups.There is also a set of high waist line lifting beam headless teapot, one pot, two cups and two supports.The last set of purple clay pots is a set of rain and dew sky star lifting beam nine head teapot, with four cups and four supports.Later generations have only seen single handle high waist line lifting beam pots and rain and dew sky star lifting beam pots. I really haven't seen them.As for the remaining six single pots, they are all carefully made by master Gu. One is this music pot, one is a water chestnut pot, one is a flat belly pot, one is an antique Ruyi pot, one is a melon pear pot and one is a rare ink mud jade pot.These ten sets of pots are all the fine works of master Gu, of which several single pots are mostly antique pots, which are of great collection value.Yang Jing had nothing to say about being able to buy these ten sets of pots for 3000 yuan. If you don't see it in 30 years, let alone $3000, even if you give you $30 million, you can buy that set of rain open-air star lifting beam nine head teapot
