Chapter 745: 745
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After identifying with the holy ring, Yang Jing confirmed that this holy decree was the holy decree of Zhu Chongba and Zhu Yuanzhang.
This unexpected joy made Yang Jing very happy. Previously, Yang Jing had received a "book making" from Wu Zetian in the mausoleum of Wu Zetian, which was actually the imperial edict of the Tang Dynasty.
It was originally called "imperial edict" in the early Tang Dynasty. Later, Empress Wu became emperor. In order to avoid her name, zh à o, she changed the imperial edict to writing. Of course, the function is the same. Because writing deals with important government affairs, its classification will be more detailed.
The "book making" of the Tang Dynasty can be divided into three categories. The first category is book, which is used when establishing queens, princes and enfeoffing kings. These books are written on bamboo slips.
The second type is book making, which is used in important affairs such as appointing and removing senior officials, changing the system and pardoning prisoners of war. The third type is "comfort book making", which is used by the emperor to praise others. The latter two kinds of books are generally written on silk yellow paper.
The book making that Yang Jing found in Wu Zetian's mausoleum is the second kind of book making, and it is also a very precious existence.
Now there is another imperial edict of Zhu Chongba, and Yang Jing has two imperial edicts of two dynasties!
Yang Jing didn't dare to take out space at all for fear that the outside air would harm the imperial edict.
Under the imperial edict, there are volumes of handwritten Buddhist scriptures, which Yang Jing turned over. Most of these Buddhist scriptures are handwritten Buddhist scriptures from Hongwu to Wanli, and they are not handwritten Buddhist scriptures written by famous calligraphers in the Ming Dynasty. Therefore, from the perspective of value, the value of these handwritten Buddhist scriptures is far lower than those found by Yang Jing from Wu Zetian's mausoleum.
However, the value of these Buddhist scriptures is also quite expensive. After all, these are handwritten copies of the Ming Dynasty. In particular, most of these Buddhist scriptures are very complete handwritten Buddhist scriptures, and their archaeological value is greater than their own historical value.
The Buddha said the Heart Sutra of poroporomedo, Emperor Gaozong's Royal praise, the Buddha said the heaven's original wish Sutra of molizhi, the God of great compassion in the holy view, the God of Zunsheng tuoroni, the God of Vajrayana, the mantra of mahage thorn, the mantra of seeking to repair the mountain with leaves, the Buddha said the God of disaster elimination and auspiciousness, the Buddha said the pure land of health Buddha is not allowed to refresh the living room, Vajra Sutra, Guanyin Sutra, Amitabha Sutra, molizhi heavenly Sutra, imperial concubine's spiritual Sutra, Heart Sutra, shurangyan living room, great mercy mantra, Zunsheng living room and hundred character living room.
Yang Jing counted. In this huge iron box, there were twenty-one complete sets of hand copied Buddhist scriptures. This number was very considerable.
In fact, the handwritten Buddhist scriptures of the Ming Dynasty are also very valuable.
In 2015, a total of 213 auctions participated in the auction of "ancient Chinese calligraphy and painting" at Sotheby's in New York, and 199 were finally sold, with a total turnover of US $41.44 million.
Among them, auction No. 427, a copy of the Ming Dynasty regular script Buddhist Scripture without money, was sold at a high price of US $14.026 million. If you count the Commission, only this copy of the Buddhist Scripture is equivalent to US $87.08 million!
It is said that this handwritten Buddhist Scripture came from a Japanese collector, but the prior valuation of this Buddhist Scripture did not exceed US $150000. As a result, a buyer from Huaxia huhai was stunned and raised the price of this handwritten Buddhist Scripture a hundred times!
The handwritten Buddhist scriptures without knowledge can be sold at such a price, and this one here not only has knowledge, but also a very complete set of handwritten Buddhist scriptures. If it is photographed, what price will it be?
Of course, these hand copied Buddhist scriptures will not be photographed when Yang Jing is killed. These treasures left by the ancient Chinese ancestors can only be displayed for the Chinese people in the museum. These Buddhist scriptures and those Buddhist scriptures obtained from Wu Zetian's Mausoleum can be combined to set up a special exhibition hall to display these national treasures.
After all the Buddhist scriptures in the iron box were taken out, another box was empty.
Yang Jing then opened the third box. As a result, there was no tarpaulin in the third box. After opening, there were some rotten and shapeless withered grass, but these withered grass were stuffed tightly, which made Yang Jing a little curious.
After pulling open the withered grass, a large white pot was exposed, especially the blue pattern on the shoulder of the shrub exposed in the middle of the withered grass, which immediately gave Yang Jing a boost.
"This is..." Yang Jing's mind suddenly flashed an idea, and even her consciousness trembled a little.
After taking a deep breath and calming down her mood, Yang Jing slowly and carefully took out the big can. Suddenly, an atmosphere came to her face.
"This is the yuan blue and white pot?" Yang Jing subconsciously muttered, and then said with certainty: "this is the yuan blue and white pot!"
There is no need to identify. Just by virtue of the shape, blue and white patterns and color of the big pot, Yang Jing can almost conclude that this is a legendary yuan blue and white pot, and it is also a yuan blue and white figure pot that has never appeared!
Yang Jing has also learned a lot about porcelain these days. Cai Yi, the fourth master, is the director of the porcelain Research Institute of the Palace Museum. With such a master, Yang Jing can't steal even if she wants to be lazy. Therefore, Yang Jing now knows a lot about porcelain.
Even if the big pot has not been identified, Yang Jing can judge that it is a big open-door big pot of Yuan blue and white characters just by feeling.
Blue and white porcelain existed as early as the Tang Dynasty, but it was carried forward in the Yuan Dynasty. Although later, the workmanship of blue and white porcelain in the Ming Dynasty and the Qing Dynasty was even better than that of Yuan blue and white porcelain, in the understanding of the Chinese public, when it comes to blue and white porcelain, people first think of Yuan blue and white porcelain.
Moreover, compared with the blue and white porcelain of the Ming Dynasty and the Qing Dynasty, the yuan blue and white porcelain is more simple and generous, especially the imported green materials used for large vessels, combined with those large vessels, make the yuan blue and white porcelain have a unique charm and charm.
The reason why yuan Qinghua is famous is that at the Christie's auction in London on July 12, 2005, a large pot of Yuan Qinghua ghost millet was sold for ￡ 14 million. After adding the Commission, it was ￡ 15.688 million, equivalent to about 230 million National dollars!
This price was able to buy two tons of gold at that time, which also set the highest auction record of Asian Art and became famous for a time, taking the collection of blue and white porcelain to a new height.
After the ghost millet went down the mountain and the big pot sold at a sky high price, Yuan Qinghua became famous in China, and the Chinese people also knew the value of Yuan Qinghua.
Yuan blue and white jar is undoubtedly the first-class national treasure of China, but unfortunately, only one of the nine yuan blue and white figure cans in the world is in China.
At present, there are only nine yuan blue and white figure cans recognized all over the world. Among them, the yuan blue and white Guiguzi downhill pot and the yuan blue and white Sangu Maolu pot are in the hands of the British. The former is collected by the British antique dealer Eskenazi, and the latter is in the hands of the British Pegasus foundation.
There are also three big cans in Japan's hands. The big cans of yuanqinghua Baihua pavilion are now collected by Japan Wanye Art Museum, the big cans of yuanqinghua Zhaojun are in Japan's Tokyo Chuguang Art Museum, and the big cans of yuanqinghua Zhou Yafu xiliuying are in the hands of Japan's anzhai Art Museum.
The remaining four large cans, Yuan blue and white West Chamber incense cans, were collected by a private collector in Southeast Asia; The large cans of Yuan blue and white brocade incense pavilion are collected in the hands of Mr. Wang Dingqian, a collector on WAN island; As for the blue and white Yuan Dynasty, Yuchi Gong rode alone and the big pot of savior fell into the hands of the Boston Museum.
It is worth mentioning that Yuchi Gong, the blue and white Yuan Dynasty, has found a total of two savior tanks in the world. The first is in Boston and the second is in China. This is also the only blue and white yuan figure tank in China.
This big pot was unearthed in "siguanling" in Hengxian County, Bagui in 1980. However, after this rare treasure was unearthed, it was discarded in the corner for seven years; Until 1987, an agronomist accidentally found the baby and picked it up to raise flowers and seeds; In 1989, cultural relic experts confirmed the national treasure identity of this big pot. Since then, China also has its own big pot of Yuan blue and white figures.
If there were no yuan blue and white Yuchi Gong's single riding savior jar unearthed in Guangxi Province, there would be no yuan blue and white figure jar in China, which is definitely a tragedy.
But now it's different. As soon as Yang Jing saw the big pot, he knew that it was also a serious baby with a big door. Moreover, the baby was different from the eight big character pots before, because the pattern of the big pot was different from the known eight big blue and white character pots. The pattern of the big pot turned out to be a brand-new figure pattern.
Yang Jing once saw a bottle with similar pattern in Jinling Museum. This bottle is a plum vase with Yuan blue and white flowers. It is the first-class national treasure of China, the treasure of Nanbo Town Museum and one of the three wonders of Chinese porcelain. It is the "plum vase with Yuan blue and white flowers chasing Han Xin under the moon"!
At present, there are only three plum bottles in the world, one of which is collected in Nanbo, one in the hands of an overseas collector, and the last one sold for a sky high price of HK $840 million at an auction in 2011
The pattern of this yuan blue and white pot is very similar to that of the plum vase of Xiao He chasing Han Xin under the moon in Nanbo, that is, this pot should be called "Yuan blue and white Xiao He chasing Han Xin under the moon"!
The yuan blue and white figure jar with this pattern has never been exposed in the world. In other words, if the jar is taken out, it will be the tenth yuan blue and white figure jar in the world and the ninth pattern in the yuan blue and white figure jar!
This is definitely the national treasure of Chinese porcelain, which is compared with the "Yuan blue and white Yuchi Gong riding alone on the Savior jar" collected in the Boston Museum!
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After identifying with the holy ring, Yang Jing confirmed that this holy decree was the holy decree of Zhu Chongba and Zhu Yuanzhang.
This unexpected joy made Yang Jing very happy. Previously, Yang Jing had received a "book making" from Wu Zetian in the mausoleum of Wu Zetian, which was actually the imperial edict of the Tang Dynasty.
It was originally called "imperial edict" in the early Tang Dynasty. Later, Empress Wu became emperor. In order to avoid her name, zh à o, she changed the imperial edict to writing. Of course, the function is the same. Because writing deals with important government affairs, its classification will be more detailed.
The "book making" of the Tang Dynasty can be divided into three categories. The first category is book, which is used when establishing queens, princes and enfeoffing kings. These books are written on bamboo slips.
The second type is book making, which is used in important affairs such as appointing and removing senior officials, changing the system and pardoning prisoners of war. The third type is "comfort book making", which is used by the emperor to praise others. The latter two kinds of books are generally written on silk yellow paper.
The book making that Yang Jing found in Wu Zetian's mausoleum is the second kind of book making, and it is also a very precious existence.
Now there is another imperial edict of Zhu Chongba, and Yang Jing has two imperial edicts of two dynasties!
Yang Jing didn't dare to take out space at all for fear that the outside air would harm the imperial edict.
Under the imperial edict, there are volumes of handwritten Buddhist scriptures, which Yang Jing turned over. Most of these Buddhist scriptures are handwritten Buddhist scriptures from Hongwu to Wanli, and they are not handwritten Buddhist scriptures written by famous calligraphers in the Ming Dynasty. Therefore, from the perspective of value, the value of these handwritten Buddhist scriptures is far lower than those found by Yang Jing from Wu Zetian's mausoleum.
However, the value of these Buddhist scriptures is also quite expensive. After all, these are handwritten copies of the Ming Dynasty. In particular, most of these Buddhist scriptures are very complete handwritten Buddhist scriptures, and their archaeological value is greater than their own historical value.
The Buddha said the Heart Sutra of poroporomedo, Emperor Gaozong's Royal praise, the Buddha said the heaven's original wish Sutra of molizhi, the God of great compassion in the holy view, the God of Zunsheng tuoroni, the God of Vajrayana, the mantra of mahage thorn, the mantra of seeking to repair the mountain with leaves, the Buddha said the God of disaster elimination and auspiciousness, the Buddha said the pure land of health Buddha is not allowed to refresh the living room, Vajra Sutra, Guanyin Sutra, Amitabha Sutra, molizhi heavenly Sutra, imperial concubine's spiritual Sutra, Heart Sutra, shurangyan living room, great mercy mantra, Zunsheng living room and hundred character living room.
Yang Jing counted. In this huge iron box, there were twenty-one complete sets of hand copied Buddhist scriptures. This number was very considerable.
In fact, the handwritten Buddhist scriptures of the Ming Dynasty are also very valuable.
In 2015, a total of 213 auctions participated in the auction of "ancient Chinese calligraphy and painting" at Sotheby's in New York, and 199 were finally sold, with a total turnover of US $41.44 million.
Among them, auction No. 427, a copy of the Ming Dynasty regular script Buddhist Scripture without money, was sold at a high price of US $14.026 million. If you count the Commission, only this copy of the Buddhist Scripture is equivalent to US $87.08 million!
It is said that this handwritten Buddhist Scripture came from a Japanese collector, but the prior valuation of this Buddhist Scripture did not exceed US $150000. As a result, a buyer from Huaxia huhai was stunned and raised the price of this handwritten Buddhist Scripture a hundred times!
The handwritten Buddhist scriptures without knowledge can be sold at such a price, and this one here not only has knowledge, but also a very complete set of handwritten Buddhist scriptures. If it is photographed, what price will it be?
Of course, these hand copied Buddhist scriptures will not be photographed when Yang Jing is killed. These treasures left by the ancient Chinese ancestors can only be displayed for the Chinese people in the museum. These Buddhist scriptures and those Buddhist scriptures obtained from Wu Zetian's Mausoleum can be combined to set up a special exhibition hall to display these national treasures.
After all the Buddhist scriptures in the iron box were taken out, another box was empty.
Yang Jing then opened the third box. As a result, there was no tarpaulin in the third box. After opening, there were some rotten and shapeless withered grass, but these withered grass were stuffed tightly, which made Yang Jing a little curious.
After pulling open the withered grass, a large white pot was exposed, especially the blue pattern on the shoulder of the shrub exposed in the middle of the withered grass, which immediately gave Yang Jing a boost.
"This is..." Yang Jing's mind suddenly flashed an idea, and even her consciousness trembled a little.
After taking a deep breath and calming down her mood, Yang Jing slowly and carefully took out the big can. Suddenly, an atmosphere came to her face.
"This is the yuan blue and white pot?" Yang Jing subconsciously muttered, and then said with certainty: "this is the yuan blue and white pot!"
There is no need to identify. Just by virtue of the shape, blue and white patterns and color of the big pot, Yang Jing can almost conclude that this is a legendary yuan blue and white pot, and it is also a yuan blue and white figure pot that has never appeared!
Yang Jing has also learned a lot about porcelain these days. Cai Yi, the fourth master, is the director of the porcelain Research Institute of the Palace Museum. With such a master, Yang Jing can't steal even if she wants to be lazy. Therefore, Yang Jing now knows a lot about porcelain.
Even if the big pot has not been identified, Yang Jing can judge that it is a big open-door big pot of Yuan blue and white characters just by feeling.
Blue and white porcelain existed as early as the Tang Dynasty, but it was carried forward in the Yuan Dynasty. Although later, the workmanship of blue and white porcelain in the Ming Dynasty and the Qing Dynasty was even better than that of Yuan blue and white porcelain, in the understanding of the Chinese public, when it comes to blue and white porcelain, people first think of Yuan blue and white porcelain.
Moreover, compared with the blue and white porcelain of the Ming Dynasty and the Qing Dynasty, the yuan blue and white porcelain is more simple and generous, especially the imported green materials used for large vessels, combined with those large vessels, make the yuan blue and white porcelain have a unique charm and charm.
The reason why yuan Qinghua is famous is that at the Christie's auction in London on July 12, 2005, a large pot of Yuan Qinghua ghost millet was sold for ￡ 14 million. After adding the Commission, it was ￡ 15.688 million, equivalent to about 230 million National dollars!
This price was able to buy two tons of gold at that time, which also set the highest auction record of Asian Art and became famous for a time, taking the collection of blue and white porcelain to a new height.
After the ghost millet went down the mountain and the big pot sold at a sky high price, Yuan Qinghua became famous in China, and the Chinese people also knew the value of Yuan Qinghua.
Yuan blue and white jar is undoubtedly the first-class national treasure of China, but unfortunately, only one of the nine yuan blue and white figure cans in the world is in China.
At present, there are only nine yuan blue and white figure cans recognized all over the world. Among them, the yuan blue and white Guiguzi downhill pot and the yuan blue and white Sangu Maolu pot are in the hands of the British. The former is collected by the British antique dealer Eskenazi, and the latter is in the hands of the British Pegasus foundation.
There are also three big cans in Japan's hands. The big cans of yuanqinghua Baihua pavilion are now collected by Japan Wanye Art Museum, the big cans of yuanqinghua Zhaojun are in Japan's Tokyo Chuguang Art Museum, and the big cans of yuanqinghua Zhou Yafu xiliuying are in the hands of Japan's anzhai Art Museum.
The remaining four large cans, Yuan blue and white West Chamber incense cans, were collected by a private collector in Southeast Asia; The large cans of Yuan blue and white brocade incense pavilion are collected in the hands of Mr. Wang Dingqian, a collector on WAN island; As for the blue and white Yuan Dynasty, Yuchi Gong rode alone and the big pot of savior fell into the hands of the Boston Museum.
It is worth mentioning that Yuchi Gong, the blue and white Yuan Dynasty, has found a total of two savior tanks in the world. The first is in Boston and the second is in China. This is also the only blue and white yuan figure tank in China.
This big pot was unearthed in "siguanling" in Hengxian County, Bagui in 1980. However, after this rare treasure was unearthed, it was discarded in the corner for seven years; Until 1987, an agronomist accidentally found the baby and picked it up to raise flowers and seeds; In 1989, cultural relic experts confirmed the national treasure identity of this big pot. Since then, China also has its own big pot of Yuan blue and white figures.
If there were no yuan blue and white Yuchi Gong's single riding savior jar unearthed in Guangxi Province, there would be no yuan blue and white figure jar in China, which is definitely a tragedy.
But now it's different. As soon as Yang Jing saw the big pot, he knew that it was also a serious baby with a big door. Moreover, the baby was different from the eight big character pots before, because the pattern of the big pot was different from the known eight big blue and white character pots. The pattern of the big pot turned out to be a brand-new figure pattern.
Yang Jing once saw a bottle with similar pattern in Jinling Museum. This bottle is a plum vase with Yuan blue and white flowers. It is the first-class national treasure of China, the treasure of Nanbo Town Museum and one of the three wonders of Chinese porcelain. It is the "plum vase with Yuan blue and white flowers chasing Han Xin under the moon"!
At present, there are only three plum bottles in the world, one of which is collected in Nanbo, one in the hands of an overseas collector, and the last one sold for a sky high price of HK $840 million at an auction in 2011
The pattern of this yuan blue and white pot is very similar to that of the plum vase of Xiao He chasing Han Xin under the moon in Nanbo, that is, this pot should be called "Yuan blue and white Xiao He chasing Han Xin under the moon"!
The yuan blue and white figure jar with this pattern has never been exposed in the world. In other words, if the jar is taken out, it will be the tenth yuan blue and white figure jar in the world and the ninth pattern in the yuan blue and white figure jar!
This is definitely the national treasure of Chinese porcelain, which is compared with the "Yuan blue and white Yuchi Gong riding alone on the Savior jar" collected in the Boston Museum!
After identifying with the holy ring, Yang Jing confirmed that this holy decree was the holy decree of Zhu Chongba and Zhu Yuanzhang.This unexpected joy made Yang Jing very happy. Previously, Yang Jing had received a "book making" from Wu Zetian in the mausoleum of Wu Zetian, which was actually the imperial edict of the Tang Dynasty.It was originally called "imperial edict" in the early Tang Dynasty. Later, Empress Wu became emperor. In order to avoid her name, zh o, she changed the imperial edict to writing. Of course, the function is the same. Because writing deals with important government affairs, its classification will be more detailed.The "book making" of the Tang Dynasty can be divided into three categories. The first category is book, which is used when establishing queens, princes and enfeoffing kings. These books are written on bamboo slips.The second type is book making, which is used in important affairs such as appointing and removing senior officials, changing the system and pardoning prisoners of war. The third type is "comfort book making", which is used by the emperor to praise others. The latter two kinds of books are generally written on silk yellow paper.The book making that Yang Jing found in Wu Zetian's mausoleum is the second kind of book making, and it is also a very precious existence.Now there is another imperial edict of Zhu Chongba, and Yang Jing has two imperial edicts of two dynasties!Yang Jing didn't dare to take out space at all for fear that the outside air would harm the imperial edict.Under the imperial edict, there are volumes of handwritten Buddhist scriptures, which Yang Jing turned over. Most of these Buddhist scriptures are handwritten Buddhist scriptures from Hongwu to Wanli, and they are not handwritten Buddhist scriptures written by famous calligraphers in the Ming Dynasty. Therefore, from the perspective of value, the value of these handwritten Buddhist scriptures is far lower than those found by Yang Jing from Wu Zetian's mausoleum.However, the value of these Buddhist scriptures is also quite expensive. After all, these are handwritten copies of the Ming Dynasty. In particular, most of these Buddhist scriptures are very complete handwritten Buddhist scriptures, and their archaeological value is greater than their own historical value.The Buddha said the Heart Sutra of poroporomedo, Emperor Gaozong's Royal praise, the Buddha said the heaven's original wish Sutra of molizhi, the God of great compassion in the holy view, the God of Zunsheng tuoroni, the God of Vajrayana, the mantra of mahage thorn, the mantra of seeking to repair the mountain with leaves, the Buddha said the God of disaster elimination and auspiciousness, the Buddha said the pure land of health Buddha is not allowed to refresh the living room, Vajra Sutra, Guanyin Sutra, Amitabha Sutra, molizhi heavenly Sutra, imperial concubine's spiritual Sutra, Heart Sutra, shurangyan living room, great mercy mantra, Zunsheng living room and hundred character living room.Yang Jing counted. In this huge iron box, there were twenty-one complete sets of hand copied Buddhist scriptures. This number was very considerable.In fact, the handwritten Buddhist scriptures of the Ming Dynasty are also very valuable.In 2015, a total of 213 auctions participated in the auction of "ancient Chinese calligraphy and painting" at Sotheby's in New York, and 199 were finally sold, with a total turnover of US $41.44 million.Among them, auction No. 427, a copy of the Ming Dynasty regular script Buddhist Scripture without money, was sold at a high price of US $14.026 million. If you count the Commission, only this copy of the Buddhist Scripture is equivalent to US $87.08 million!It is said that this handwritten Buddhist Scripture came from a Japanese collector, but the prior valuation of this Buddhist Scripture did not exceed US $150000. As a result, a buyer from Huaxia huhai was stunned and raised the price of this handwritten Buddhist Scripture a hundred times!The handwritten Buddhist scriptures without knowledge can be sold at such a price, and this one here not only has knowledge, but also a very complete set of handwritten Buddhist scriptures. If it is photographed, what price will it be?Of course, these hand copied Buddhist scriptures will not be photographed when Yang Jing is killed. These treasures left by the ancient Chinese ancestors can only be displayed for the Chinese people in the museum. These Buddhist scriptures and those Buddhist scriptures obtained from Wu Zetian's Mausoleum can be combined to set up a special exhibition hall to display these national treasures.After all the Buddhist scriptures in the iron box were taken out, another box was empty.Yang Jing then opened the third box. As a result, there was no tarpaulin in the third box. After opening, there were some rotten and shapeless withered grass, but these withered grass were stuffed tightly, which made Yang Jing a little curious.After pulling open the withered grass, a large white pot was exposed, especially the blue pattern on the shoulder of the shrub exposed in the middle of the withered grass, which immediately gave Yang Jing a boost."This is..." Yang Jing's mind suddenly flashed an idea, and even her consciousness trembled a little.After taking a deep breath and calming down her mood, Yang Jing slowly and carefully took out the big can. Suddenly, an atmosphere came to her face."This is the yuan blue and white pot?" Yang Jing subconsciously muttered, and then said with certainty: "this is the yuan blue and white pot!"There is no need to identify. Just by virtue of the shape, blue and white patterns and color of the big pot, Yang Jing can almost conclude that this is a legendary yuan blue and white pot, and it is also a yuan blue and white figure pot that has never appeared!Yang Jing has also learned a lot about porcelain these days. Cai Yi, the fourth master, is the director of the porcelain Research Institute of the Palace Museum. With such a master, Yang Jing can't steal even if she wants to be lazy. Therefore, Yang Jing now knows a lot about porcelain.Even if the big pot has not been identified, Yang Jing can judge that it is a big open-door big pot of Yuan blue and white characters just by feeling.Blue and white porcelain existed as early as the Tang Dynasty, but it was carried forward in the Yuan Dynasty. Although later, the workmanship of blue and white porcelain in the Ming Dynasty and the Qing Dynasty was even better than that of Yuan blue and white porcelain, in the understanding of the Chinese public, when it comes to blue and white porcelain, people first think of Yuan blue and white porcelain.Moreover, compared with the blue and white porcelain of the Ming Dynasty and the Qing Dynasty, the yuan blue and white porcelain is more simple and generous, especially the imported green materials used for large vessels, combined with those large vessels, make the yuan blue and white porcelain have a unique charm and charm.The reason why yuan Qinghua is famous is that at the Christie's auction in London on July 12, 2005, a large pot of Yuan Qinghua ghost millet was sold for 14 million. After adding the Commission, it was 15.688 million, equivalent to about 230 million National dollars!This price was able to buy two tons of gold at that time, which also set the highest auction record of Asian Art and became famous for a time, taking the collection of blue and white porcelain to a new height.After the ghost millet went down the mountain and the big pot sold at a sky high price, Yuan Qinghua became famous in China, and the Chinese people also knew the value of Yuan Qinghua.Yuan blue and white jar is undoubtedly the first-class national treasure of China, but unfortunately, only one of the nine yuan blue and white figure cans in the world is in China.At present, there are only nine yuan blue and white figure cans recognized all over the world. Among them, the yuan blue and white Guiguzi downhill pot and the yuan blue and white Sangu Maolu pot are in the hands of the British. The former is collected by the British antique dealer Eskenazi, and the latter is in the hands of the British Pegasus foundation.There are also three big cans in Japan's hands. The big cans of yuanqinghua Baihua pavilion are now collected by Japan Wanye Art Museum, the big cans of yuanqinghua Zhaojun are in Japan's Tokyo Chuguang Art Museum, and the big cans of yuanqinghua Zhou Yafu xiliuying are in the hands of Japan's anzhai Art Museum.The remaining four large cans, Yuan blue and white West Chamber incense cans, were collected by a private collector in Southeast Asia; The large cans of Yuan blue and white brocade incense pavilion are collected in the hands of Mr. Wang Dingqian, a collector on WAN island; As for the blue and white Yuan Dynasty, Yuchi Gong rode alone and the big pot of savior fell into the hands of the Boston Museum.It is worth mentioning that Yuchi Gong, the blue and white Yuan Dynasty, has found a total of two savior tanks in the world. The first is in Boston and the second is in China. This is also the only blue and white yuan figure tank in China.This big pot was unearthed in "siguanling" in Hengxian County, Bagui in 1980. However, after this rare treasure was unearthed, it was discarded in the corner for seven years; Until 1987, an agronomist accidentally found the baby and picked it up to raise flowers and seeds; In 1989, cultural relic experts confirmed the national treasure identity of this big pot. Since then, China also has its own big pot of Yuan blue and white figures.If there were no yuan blue and white Yuchi Gong's single riding savior jar unearthed in Guangxi Province, there would be no yuan blue and white figure jar in China, which is definitely a tragedy.But now it's different. As soon as Yang Jing saw the big pot, he knew that it was also a serious baby with a big door. Moreover, the baby was different from the eight big character pots before, because the pattern of the big pot was different from the known eight big blue and white character pots. The pattern of the big pot turned out to be a brand-new figure pattern.Yang Jing once saw a bottle with similar pattern in Jinling Museum. This bottle is a plum vase with Yuan blue and white flowers. It is the first-class national treasure of China, the treasure of Nanbo Town Museum and one of the three wonders of Chinese porcelain. It is the "plum vase with Yuan blue and white flowers chasing Han Xin under the moon"!At present, there are only three plum bottles in the world, one of which is collected in Nanbo, one in the hands of an overseas collector, and the last one sold for a sky high price of HK $840 million at an auction in 2011The pattern of this yuan blue and white pot is very similar to that of the plum vase of Xiao He chasing Han Xin under the moon in Nanbo, that is, this pot should be called "Yuan blue and white Xiao He chasing Han Xin under the moon"!The yuan blue and white figure jar with this pattern has never been exposed in the world. In other words, if the jar is taken out, it will be the tenth yuan blue and white figure jar in the world and the ninth pattern in the yuan blue and white figure jar!This is definitely the national treasure of Chinese porcelain, which is compared with the "Yuan blue and white Yuchi Gong riding alone on the Savior jar" collected in the Boston Museum!
