Chapter 746: 746
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It's hard to say who is more valuable than the imperial edict of Yuan blue and white Xiao He Yuexia chasing Han Xin's big pot and Zhu Yuanzhang.
One is that there is only one imperial edict in the world, and the other is that there is only one blue and white pot in the world. Who do you mean is more valuable? This is clearly a difficult problem between Guan Gong and Qin Qiong.
In the Yuan Dynasty and even the Ming Dynasty, there were still a large number of blue and white cans in the Yuan Dynasty, which can be seen from some ancient books and historical books. Similarly, there were many imperial edicts during the Hongwu Period of the Ming Dynasty. Zhu Yuanzhang was Emperor for 31 years in his life. Who knows how many imperial edicts he issued in his life.
But whether it is the imperial edict or the yuan blue and white pot, it has almost become a solitary product in modern times. Value can only be described as difficult to measure.
A little cut off the idea, and Yang Jing continued to pick up the grass under the yuan blue and white pot.
The height of the yuan blue and white Xiao He Yuexia chasing Han Xin's big pot is less than 30cm, and the belly diameter is estimated by Yang Jing to be more than 33cm. According to the size of the big iron box, at least four cans of this size can be placed on the first floor, but only one can is placed on this floor. The big pot and the iron box wall are all filled with thatch, It seems that the little devil also knew the value of the big pot. In order to better protect the big pot, he didn't put more.
In other words, if there is not all thatch below, there must at least be a big pot below.
Sure enough, after pulling a few times, another yuan blue and white pot was also pulled out.
This big pot is almost the same size as the first one, and whether it is moire, green material and shape, it is almost like a twin brother. If the patterns on this big pot are not the same, Yang Jingzhen thinks that the second big pot is also a big pot that Xiao he chases Han Xin under the moon.
The pattern on this large pot is a pattern that Yang Jing has never seen before. At least on other yuan blue and white porcelain, Yang Jing has never seen this pattern.
The large tank is as like as two peas in the first big tank, and is painted with imported green material. The first layer of decoration on the neck is water ripple; The second layer of shoulder decoration is peony pattern; The decoration on the third layer of the abdomen is the theme of the story; The lower fourth layer is decorated with deformed lotus petal patterns, with Chen Bao painted inside, commonly known as "eight codes".
This pattern is also used in other nine yuan blue and white figure pots that have been born.
The theme decoration on the third floor shows a general in armor galloping on a horse. The general carries an arrow pot with many white arrows in it. However, the general did not hold the reins in his hands, but raised the bow in his left hand and led the reins of the horse in his right hand. People and horses are very lifelike. Not far from the general, there was a big stone. Strangely, on this big stone, a white feather arrow inserted into the big stone with a slight inclination, half of it!
Obviously, the general galloping on his horse just shot an arrow for no reason, but unfortunately he missed the target and hit a big stone
Although the whole pattern is small, it is vividly painted. Whether it is the general's action, the look of the horse, and the shape of the big stone, it can be called exquisite.
Although Yang Jing hasn't seen this pattern before, since she saw it, Yang Jing has known which story the theme decoration of the yuan blue and white pot is drawing.
When she was in primary school, Yang Jing learned a poem called "he Zhang pushe's next song. Second", which was written by Lu Lun of the Tang Dynasty.
The story of a general hunting tigers written in this frontier fortress poem is based on the biography of General Li, which was recorded by Sima Qian, a historian of the Western Han Dynasty. The original text is: "go hunting widely, see the stone in the grass, think of the tiger and shoot in it, the stone has no arrowhead (arrow), look at it, the stone is also."
It means: late at night, it is dark in the mountains and forests. Suddenly, there is a strong wind, and the grass is brushed and shaken; Frogman's landing place is full of talk. In a trance, a white tiger pounced. At this time, the general was galloping by the edge of the forest. He was quick in eyes and hands, pulled a full bow and shot an arrow
The next morning, the general remembered what happened in the woods last night and came to the scene along the original road. He couldn't help but be surprised: in the bright morning light, he clearly saw that the one he shot was not a tiger, but a huge stone. Fear squatted there silently, and the white arrow went deep into the stone edge!
This poem describes the story of General Li Guang, a famous general in the Western Han Dynasty, who "galloped his horse at night and shot a bow at a stone".
In other words, this big pot of Yuan blue and white figures should be called "Yuan blue and white Li Guangye bow drawing big pot".
This is a very famous story, which has been spread among the people for thousands of years. Unexpectedly, this story was also painted on the yuan blue and white pot.
This big pot is also a big pot of character stories that has never appeared, and its value is also immeasurable.
Obviously, the two big cans should be a pair of big cans. No matter from the shape, decoration format or green material, the two big blue and white cans should be fired in the same kiln, especially the decoration of the theme story. One is the story of Xiao He and Han Xin in the early Western Han Dynasty, and the other is the story of Li Guang, a famous general of the Western Han Dynasty.
No matter the story of Xiao He chasing Han Xin under the moon or the story of Li Guangye drawing a bow, they are all stories that have been circulating for thousands of years, and the two yuan blue and white cans are decorated with these two stories as the theme, which is obviously a pair!
What is the concept of as like as two peas and a story of a blue and white flower?
Anyway, the size of the nine yuan blue and white big cans that have been born is different. Even the two yuan blue and white Yuchi Gong's single riding savior big cans with the same theme decoration have different specifications, that is to say, the nine yuan blue and white big cans that have been born are produced in different years, and I'm afraid even the killers are not the same batch.
And these two big cans are obviously a pair!
If it is a single yuan blue and white figure jar, its value may be measured by money, but if this pair comes out, the value is really hard to say!
Some things are as unique as possible, and the more isolated they are, the more valuable they are. For example, the national jade seal, such as the preface to the Lanting anthology; But some things are as complete as possible, and the more complete they are, the more valuable they are. For example, the nine tripods of Dayu and the twelve golden men of Qin.
If there were two national jade seals in Chinese history, I'm afraid the emperors of Chinese dynasties would not pursue the national jade seal so persistently. If Wang Xizhi had written two or more preface to Lanting anthology, this calligraphy would not become the "first line of Chinese calligraphy".
Similarly, if one of Dayu Jiuding is missing, what's the matter? In addition, there are clearly twelve gold men, and suddenly there are only ten left. I'm afraid everyone will try their best to find the lost two gold men and try every means to make a complete set of the twelve gold men.
This principle also applies to the two yuan blue and white figures.
This kind of porcelain, which was an ornament in ancient times, is naturally a complete set. These two large cans are obviously made according to one set. Therefore, if there is no other one, just one of them will cause a sensation, but there is absolutely no shock from the birth of these two large cans!
Yang Jing was absolutely satisfied with the two unexpected big cans of Yuan blue and white figures. In the previous treasure hunt, the least thing Yang Jing got was porcelain. Whether it was the earliest muguogong treasure, Gaddafi treasure, or the last czar treasure and the subsequent treasure hunt, there were almost no ancient Chinese porcelain in those treasures. Apart from some highly cherished Tang tricolor in Empress Wu's mausoleum, Yang Jing has never been involved in other ancient Chinese porcelain, which makes Yang Jing very disappointed.
Although there are a lot of treasures in the treasures sought before, and any one can be called a national treasure, as the most representative antique in China, it is really a pity if there are few porcelain that can be sold.
However, Yang Jing has some understanding of this situation. After all, porcelain is not easy to preserve. Besides, Chinese porcelain, especially ancient official kiln porcelain, is invaluable in modern times, but it was nothing in ancient times. For the ancient royal family, porcelain is a daily commodity and decoration, and its practicability is far lower than some other important materials, such as gold.
Therefore, among the treasures left over from ancient times, it is inevitable that the number of porcelain is very small or even almost none.
What Yang Jing didn't expect was that during his trip to the Philippines, he found such two precious yuan blue and white cans under a city church, which finally made up for the regret that he hadn't found precious Chinese ancient porcelain before.
Although there are only two yuan blue and white figure cans, even if they are put in the Palace Museum, they are also the treasure of the town hall. If these two large cans are displayed in their own museum, their weight is absolutely heavyweight.
Satisfied, the two large cans were carefully placed in a corner of the space, and Yang Jing began to attack the next big iron box.
As a result, as soon as the fourth box was opened, the rotten thatch shocked Yang Jing again!
"Is there porcelain in this box?" Yang Jing couldn't help laughing up. It would be great if there were still porcelain in this big iron box.
I'm worried that I don't have any heavyweight porcelain in my collection. I didn't expect to find two boxes of porcelain here at once. Is it sleepy? Someone sent pillows?
Yang Jing carefully pulled apart the decayed thatch on the upper floor. Sure enough, under the protection of the thatch, there were porcelain wrapped in oil paper one after another
PS: bow and thank the "very lazy fish" for the reward of 100.
Please report us if you find any errors so we can fix it asap!
It's hard to say who is more valuable than the imperial edict of Yuan blue and white Xiao He Yuexia chasing Han Xin's big pot and Zhu Yuanzhang.
One is that there is only one imperial edict in the world, and the other is that there is only one blue and white pot in the world. Who do you mean is more valuable? This is clearly a difficult problem between Guan Gong and Qin Qiong.
In the Yuan Dynasty and even the Ming Dynasty, there were still a large number of blue and white cans in the Yuan Dynasty, which can be seen from some ancient books and historical books. Similarly, there were many imperial edicts during the Hongwu Period of the Ming Dynasty. Zhu Yuanzhang was Emperor for 31 years in his life. Who knows how many imperial edicts he issued in his life.
But whether it is the imperial edict or the yuan blue and white pot, it has almost become a solitary product in modern times. Value can only be described as difficult to measure.
A little cut off the idea, and Yang Jing continued to pick up the grass under the yuan blue and white pot.
The height of the yuan blue and white Xiao He Yuexia chasing Han Xin's big pot is less than 30cm, and the belly diameter is estimated by Yang Jing to be more than 33cm. According to the size of the big iron box, at least four cans of this size can be placed on the first floor, but only one can is placed on this floor. The big pot and the iron box wall are all filled with thatch, It seems that the little devil also knew the value of the big pot. In order to better protect the big pot, he didn't put more.
In other words, if there is not all thatch below, there must at least be a big pot below.
Sure enough, after pulling a few times, another yuan blue and white pot was also pulled out.
This big pot is almost the same size as the first one, and whether it is moire, green material and shape, it is almost like a twin brother. If the patterns on this big pot are not the same, Yang Jingzhen thinks that the second big pot is also a big pot that Xiao he chases Han Xin under the moon.
The pattern on this large pot is a pattern that Yang Jing has never seen before. At least on other yuan blue and white porcelain, Yang Jing has never seen this pattern.
The large tank is as like as two peas in the first big tank, and is painted with imported green material. The first layer of decoration on the neck is water ripple; The second layer of shoulder decoration is peony pattern; The decoration on the third layer of the abdomen is the theme of the story; The lower fourth layer is decorated with deformed lotus petal patterns, with Chen Bao painted inside, commonly known as "eight codes".
This pattern is also used in other nine yuan blue and white figure pots that have been born.
The theme decoration on the third floor shows a general in armor galloping on a horse. The general carries an arrow pot with many white arrows in it. However, the general did not hold the reins in his hands, but raised the bow in his left hand and led the reins of the horse in his right hand. People and horses are very lifelike. Not far from the general, there was a big stone. Strangely, on this big stone, a white feather arrow inserted into the big stone with a slight inclination, half of it!
Obviously, the general galloping on his horse just shot an arrow for no reason, but unfortunately he missed the target and hit a big stone
Although the whole pattern is small, it is vividly painted. Whether it is the general's action, the look of the horse, and the shape of the big stone, it can be called exquisite.
Although Yang Jing hasn't seen this pattern before, since she saw it, Yang Jing has known which story the theme decoration of the yuan blue and white pot is drawing.
When she was in primary school, Yang Jing learned a poem called "he Zhang pushe's next song. Second", which was written by Lu Lun of the Tang Dynasty.
The story of a general hunting tigers written in this frontier fortress poem is based on the biography of General Li, which was recorded by Sima Qian, a historian of the Western Han Dynasty. The original text is: "go hunting widely, see the stone in the grass, think of the tiger and shoot in it, the stone has no arrowhead (arrow), look at it, the stone is also."
It means: late at night, it is dark in the mountains and forests. Suddenly, there is a strong wind, and the grass is brushed and shaken; Frogman's landing place is full of talk. In a trance, a white tiger pounced. At this time, the general was galloping by the edge of the forest. He was quick in eyes and hands, pulled a full bow and shot an arrow
The next morning, the general remembered what happened in the woods last night and came to the scene along the original road. He couldn't help but be surprised: in the bright morning light, he clearly saw that the one he shot was not a tiger, but a huge stone. Fear squatted there silently, and the white arrow went deep into the stone edge!
This poem describes the story of General Li Guang, a famous general in the Western Han Dynasty, who "galloped his horse at night and shot a bow at a stone".
In other words, this big pot of Yuan blue and white figures should be called "Yuan blue and white Li Guangye bow drawing big pot".
This is a very famous story, which has been spread among the people for thousands of years. Unexpectedly, this story was also painted on the yuan blue and white pot.
This big pot is also a big pot of character stories that has never appeared, and its value is also immeasurable.
Obviously, the two big cans should be a pair of big cans. No matter from the shape, decoration format or green material, the two big blue and white cans should be fired in the same kiln, especially the decoration of the theme story. One is the story of Xiao He and Han Xin in the early Western Han Dynasty, and the other is the story of Li Guang, a famous general of the Western Han Dynasty.
No matter the story of Xiao He chasing Han Xin under the moon or the story of Li Guangye drawing a bow, they are all stories that have been circulating for thousands of years, and the two yuan blue and white cans are decorated with these two stories as the theme, which is obviously a pair!
What is the concept of as like as two peas and a story of a blue and white flower?
Anyway, the size of the nine yuan blue and white big cans that have been born is different. Even the two yuan blue and white Yuchi Gong's single riding savior big cans with the same theme decoration have different specifications, that is to say, the nine yuan blue and white big cans that have been born are produced in different years, and I'm afraid even the killers are not the same batch.
And these two big cans are obviously a pair!
If it is a single yuan blue and white figure jar, its value may be measured by money, but if this pair comes out, the value is really hard to say!
Some things are as unique as possible, and the more isolated they are, the more valuable they are. For example, the national jade seal, such as the preface to the Lanting anthology; But some things are as complete as possible, and the more complete they are, the more valuable they are. For example, the nine tripods of Dayu and the twelve golden men of Qin.
If there were two national jade seals in Chinese history, I'm afraid the emperors of Chinese dynasties would not pursue the national jade seal so persistently. If Wang Xizhi had written two or more preface to Lanting anthology, this calligraphy would not become the "first line of Chinese calligraphy".
Similarly, if one of Dayu Jiuding is missing, what's the matter? In addition, there are clearly twelve gold men, and suddenly there are only ten left. I'm afraid everyone will try their best to find the lost two gold men and try every means to make a complete set of the twelve gold men.
This principle also applies to the two yuan blue and white figures.
This kind of porcelain, which was an ornament in ancient times, is naturally a complete set. These two large cans are obviously made according to one set. Therefore, if there is no other one, just one of them will cause a sensation, but there is absolutely no shock from the birth of these two large cans!
Yang Jing was absolutely satisfied with the two unexpected big cans of Yuan blue and white figures. In the previous treasure hunt, the least thing Yang Jing got was porcelain. Whether it was the earliest muguogong treasure, Gaddafi treasure, or the last czar treasure and the subsequent treasure hunt, there were almost no ancient Chinese porcelain in those treasures. Apart from some highly cherished Tang tricolor in Empress Wu's mausoleum, Yang Jing has never been involved in other ancient Chinese porcelain, which makes Yang Jing very disappointed.
Although there are a lot of treasures in the treasures sought before, and any one can be called a national treasure, as the most representative antique in China, it is really a pity if there are few porcelain that can be sold.
However, Yang Jing has some understanding of this situation. After all, porcelain is not easy to preserve. Besides, Chinese porcelain, especially ancient official kiln porcelain, is invaluable in modern times, but it was nothing in ancient times. For the ancient royal family, porcelain is a daily commodity and decoration, and its practicability is far lower than some other important materials, such as gold.
Therefore, among the treasures left over from ancient times, it is inevitable that the number of porcelain is very small or even almost none.
What Yang Jing didn't expect was that during his trip to the Philippines, he found such two precious yuan blue and white cans under a city church, which finally made up for the regret that he hadn't found precious Chinese ancient porcelain before.
Although there are only two yuan blue and white figure cans, even if they are put in the Palace Museum, they are also the treasure of the town hall. If these two large cans are displayed in their own museum, their weight is absolutely heavyweight.
Satisfied, the two large cans were carefully placed in a corner of the space, and Yang Jing began to attack the next big iron box.
As a result, as soon as the fourth box was opened, the rotten thatch shocked Yang Jing again!
"Is there porcelain in this box?" Yang Jing couldn't help laughing up. It would be great if there were still porcelain in this big iron box.
I'm worried that I don't have any heavyweight porcelain in my collection. I didn't expect to find two boxes of porcelain here at once. Is it sleepy? Someone sent pillows?
Yang Jing carefully pulled apart the decayed thatch on the upper floor. Sure enough, under the protection of the thatch, there were porcelain wrapped in oil paper one after another
PS: bow and thank the "very lazy fish" for the reward of 100.
It's hard to say who is more valuable than the imperial edict of Yuan blue and white Xiao He Yuexia chasing Han Xin's big pot and Zhu Yuanzhang.One is that there is only one imperial edict in the world, and the other is that there is only one blue and white pot in the world. Who do you mean is more valuable? This is clearly a difficult problem between Guan Gong and Qin Qiong.In the Yuan Dynasty and even the Ming Dynasty, there were still a large number of blue and white cans in the Yuan Dynasty, which can be seen from some ancient books and historical books. Similarly, there were many imperial edicts during the Hongwu Period of the Ming Dynasty. Zhu Yuanzhang was Emperor for 31 years in his life. Who knows how many imperial edicts he issued in his life.But whether it is the imperial edict or the yuan blue and white pot, it has almost become a solitary product in modern times. Value can only be described as difficult to measure.A little cut off the idea, and Yang Jing continued to pick up the grass under the yuan blue and white pot.The height of the yuan blue and white Xiao He Yuexia chasing Han Xin's big pot is less than 30cm, and the belly diameter is estimated by Yang Jing to be more than 33cm. According to the size of the big iron box, at least four cans of this size can be placed on the first floor, but only one can is placed on this floor. The big pot and the iron box wall are all filled with thatch, It seems that the little devil also knew the value of the big pot. In order to better protect the big pot, he didn't put more.In other words, if there is not all thatch below, there must at least be a big pot below.Sure enough, after pulling a few times, another yuan blue and white pot was also pulled out.This big pot is almost the same size as the first one, and whether it is moire, green material and shape, it is almost like a twin brother. If the patterns on this big pot are not the same, Yang Jingzhen thinks that the second big pot is also a big pot that Xiao he chases Han Xin under the moon.The pattern on this large pot is a pattern that Yang Jing has never seen before. At least on other yuan blue and white porcelain, Yang Jing has never seen this pattern.The large tank is as like as two peas in the first big tank, and is painted with imported green material. The first layer of decoration on the neck is water ripple; The second layer of shoulder decoration is peony pattern; The decoration on the third layer of the abdomen is the theme of the story; The lower fourth layer is decorated with deformed lotus petal patterns, with Chen Bao painted inside, commonly known as "eight codes".This pattern is also used in other nine yuan blue and white figure pots that have been born.The theme decoration on the third floor shows a general in armor galloping on a horse. The general carries an arrow pot with many white arrows in it. However, the general did not hold the reins in his hands, but raised the bow in his left hand and led the reins of the horse in his right hand. People and horses are very lifelike. Not far from the general, there was a big stone. Strangely, on this big stone, a white feather arrow inserted into the big stone with a slight inclination, half of it!Obviously, the general galloping on his horse just shot an arrow for no reason, but unfortunately he missed the target and hit a big stoneAlthough the whole pattern is small, it is vividly painted. Whether it is the general's action, the look of the horse, and the shape of the big stone, it can be called exquisite.Although Yang Jing hasn't seen this pattern before, since she saw it, Yang Jing has known which story the theme decoration of the yuan blue and white pot is drawing.When she was in primary school, Yang Jing learned a poem called "he Zhang pushe's next song. Second", which was written by Lu Lun of the Tang Dynasty.The story of a general hunting tigers written in this frontier fortress poem is based on the biography of General Li, which was recorded by Sima Qian, a historian of the Western Han Dynasty. The original text is: "go hunting widely, see the stone in the grass, think of the tiger and shoot in it, the stone has no arrowhead arrow, look at it, the stone is also."It means: late at night, it is dark in the mountains and forests. Suddenly, there is a strong wind, and the grass is brushed and shaken; Frogman's landing place is full of talk. In a trance, a white tiger pounced. At this time, the general was galloping by the edge of the forest. He was quick in eyes and hands, pulled a full bow and shot an arrowThe next morning, the general remembered what happened in the woods last night and came to the scene along the original road. He couldn't help but be surprised: in the bright morning light, he clearly saw that the one he shot was not a tiger, but a huge stone. Fear squatted there silently, and the white arrow went deep into the stone edge!This poem describes the story of General Li Guang, a famous general in the Western Han Dynasty, who "galloped his horse at night and shot a bow at a stone".In other words, this big pot of Yuan blue and white figures should be called "Yuan blue and white Li Guangye bow drawing big pot".This is a very famous story, which has been spread among the people for thousands of years. Unexpectedly, this story was also painted on the yuan blue and white pot.This big pot is also a big pot of character stories that has never appeared, and its value is also immeasurable.Obviously, the two big cans should be a pair of big cans. No matter from the shape, decoration format or green material, the two big blue and white cans should be fired in the same kiln, especially the decoration of the theme story. One is the story of Xiao He and Han Xin in the early Western Han Dynasty, and the other is the story of Li Guang, a famous general of the Western Han Dynasty.No matter the story of Xiao He chasing Han Xin under the moon or the story of Li Guangye drawing a bow, they are all stories that have been circulating for thousands of years, and the two yuan blue and white cans are decorated with these two stories as the theme, which is obviously a pair!What is the concept of as like as two peas and a story of a blue and white flower?Anyway, the size of the nine yuan blue and white big cans that have been born is different. Even the two yuan blue and white Yuchi Gong's single riding savior big cans with the same theme decoration have different specifications, that is to say, the nine yuan blue and white big cans that have been born are produced in different years, and I'm afraid even the killers are not the same batch.And these two big cans are obviously a pair!If it is a single yuan blue and white figure jar, its value may be measured by money, but if this pair comes out, the value is really hard to say!Some things are as unique as possible, and the more isolated they are, the more valuable they are. For example, the national jade seal, such as the preface to the Lanting anthology; But some things are as complete as possible, and the more complete they are, the more valuable they are. For example, the nine tripods of Dayu and the twelve golden men of Qin.If there were two national jade seals in Chinese history, I'm afraid the emperors of Chinese dynasties would not pursue the national jade seal so persistently. If Wang Xizhi had written two or more preface to Lanting anthology, this calligraphy would not become the "first line of Chinese calligraphy".Similarly, if one of Dayu Jiuding is missing, what's the matter? In addition, there are clearly twelve gold men, and suddenly there are only ten left. I'm afraid everyone will try their best to find the lost two gold men and try every means to make a complete set of the twelve gold men.This principle also applies to the two yuan blue and white figures.This kind of porcelain, which was an ornament in ancient times, is naturally a complete set. These two large cans are obviously made according to one set. Therefore, if there is no other one, just one of them will cause a sensation, but there is absolutely no shock from the birth of these two large cans!Yang Jing was absolutely satisfied with the two unexpected big cans of Yuan blue and white figures. In the previous treasure hunt, the least thing Yang Jing got was porcelain. Whether it was the earliest muguogong treasure, Gaddafi treasure, or the last czar treasure and the subsequent treasure hunt, there were almost no ancient Chinese porcelain in those treasures. Apart from some highly cherished Tang tricolor in Empress Wu's mausoleum, Yang Jing has never been involved in other ancient Chinese porcelain, which makes Yang Jing very disappointed.Although there are a lot of treasures in the treasures sought before, and any one can be called a national treasure, as the most representative antique in China, it is really a pity if there are few porcelain that can be sold.However, Yang Jing has some understanding of this situation. After all, porcelain is not easy to preserve. Besides, Chinese porcelain, especially ancient official kiln porcelain, is invaluable in modern times, but it was nothing in ancient times. For the ancient royal family, porcelain is a daily commodity and decoration, and its practicability is far lower than some other important materials, such as gold.Therefore, among the treasures left over from ancient times, it is inevitable that the number of porcelain is very small or even almost none.What Yang Jing didn't expect was that during his trip to the Philippines, he found such two precious yuan blue and white cans under a city church, which finally made up for the regret that he hadn't found precious Chinese ancient porcelain before.Although there are only two yuan blue and white figure cans, even if they are put in the Palace Museum, they are also the treasure of the town hall. If these two large cans are displayed in their own museum, their weight is absolutely heavyweight.Satisfied, the two large cans were carefully placed in a corner of the space, and Yang Jing began to attack the next big iron box.As a result, as soon as the fourth box was opened, the rotten thatch shocked Yang Jing again!"Is there porcelain in this box?" Yang Jing couldn't help laughing up. It would be great if there were still porcelain in this big iron box.I'm worried that I don't have any heavyweight porcelain in my collection. I didn't expect to find two boxes of porcelain here at once. Is it sleepy? Someone sent pillows?Yang Jing carefully pulled apart the decayed thatch on the upper floor. Sure enough, under the protection of the thatch, there were porcelain wrapped in oil paper one after anotherPS: bow and thank the "very lazy fish" for the reward of 100.
