Chapter 80: 80
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Although many Qing Dynasty engravings are now classified into the ranks of rare books, most of them are official engravings before Qianlong. It will be almost a hundred years before such family engravings in the Guangxu period want to be included in the ranks of rare books.
Yes, Yang Jing has identified this book with a ring. It is indeed a family engraved book during the reign of Guangxu. Of course, the ring also gives a definite answer, that is, Liu Zheng and Liu Shiqi were indeed people during the reign of Kangxi.
For the shop owner who played tricks, Yang Jing certainly had to press down the price hard and directly offered a price of 1000.
The shopkeeper's trick was exposed by Yang Jing on the spot. Can he have any way to refute it?
Obviously not.
Moreover, the price given by Yang Jing is not high or low. It happens to be stuck in the price throat of this kind of engraved book in the late Qing Dynasty. It is basically the most appropriate price for this kind of book at present.
The shopkeeper obviously also saw that Yang Jing was an expert. Otherwise, people would not see the fishiness in the book at a glance and tell the price of the book at a glance.
But the boss still held the attitude of striving for it and said, "little brother, the price you gave is really a little lower. Why don't you give it a little higher?"
Yang Jing shook her head slightly and said, "it can't go up. This book is at this price now. And the Qing engraved edition is not the official engraved edition before Qianlong, otherwise it won't go up sharply in recent years. I can only buy it as a collection."
If it hadn't been for some treasure in this book, Yang Jing wouldn't have bothered to talk nonsense to the shopkeeper.
Seeing Yang Jing's resolute attitude, the shopkeeper hesitated.
"Boss, how about this? I'll read some more books. If it's suitable, I'll take them with me."
Hearing what Yang Jing said, the boss nodded reluctantly. Then he took out several books for Yang Jing.
Yang Jing turned it over and found that these books were all in the Qing Dynasty. To speak of them, they were not as good as the ancient Zatan just now. At least the ancient Zatan just now was still a printed copy, but these books were printed in movable type. Although one of them was a hand copy, it was not as good as the ancient Zatan that had been secretly changed.
This situation made Yang Jing sigh: "there are really fewer and fewer good things now."
In fact, there is no way. In the past few decades, the antique market in Tianqu city was still very prosperous. At that time, although there were no professional antique cities such as Grand Canal Antique City and Dongzi cultural street Antique City, yandiankou Antique City would attract a large number of antique lovers every time it opened.
Even people from Hebei and Shanxi provinces will come. As the popularity of the antique market in X county and langfangda city in Hebei province gradually subsided, yandiankou Antique City in Tianqu gradually became the most popular antique city at the junction of Hebei and Shandong, because those Taobao Taobao Taobao could often find some good objects in yandiankou antique city at that time.
However, with the relocation of yandiankou Antique City and the rise of Grand Canal Antique City, there are fewer and fewer old objects worth selling on the market. Up to now, the shop owner even regards Qing Dynasty books as a precious collection
Yang Jing didn't really want to sell those books, so he pointed to the last book and said, "please bring that book to me again, boss."
The shopkeeper nodded, took the book out and said, "little brother, this book is different from the previous books. This book is a serious Ming Dynasty book, and it can be regarded as one of the treasures of my town store."
This book is the famous collection of flowers.
Yang Jing looked at the book and said with a smile, "boss, if your book is really a Ming edition, it's really good."
"Of course it's the Ming edition, and I can assure you of that."
Yang Jing nodded noncommittally, which focused on the book.
This is the seventh volume of Huajian Ji. It looks very old, and it is not well preserved. It can barely reach the appearance of seven grades.
Huajian Ji has a high position in China's literary history. It is a collection of words compiled during the Five Dynasties and Ten Kingdoms period in China. It is also the first collection of literati words in China's literary history. It is edited by Zhao Chongzuo, a post Shu man, with a total of ten volumes.
The collection of flowers contains five hundred poems written by 18 poets, including Wen Tingyun, Huang Fusong, Wei Zhuang, Xue Zhaoyun, Niu Qiao, Zhang Mi, Mao Wenxi, Niu Xiji, ou yangjiong, he Ning, Gu Xuan, sun Guangxian, Wei Chengban, Lu Qian, Yan Xuan, Yin e, Mao Xizhen and Li Xun, from the first year of the founding of emperor Wenzong of the Tang Dynasty to the fifth year of Tianfu, the emperor of the Late Jin Dynasty, It intensively and typically reflects the subject orientation, aesthetic taste, physical style and artistic achievements of literati's Ci creation in the history of early Chinese Ci, and truly reflects the whole picture of the transformation and development process of early Ci from folk state to literati creation.
Moreover, Huajian CI standardized the literary genre and aesthetic characteristics of "Ci", finally established the literary status of "Ci", and had a far-reaching impact on the creation of poets in song, yuan, Ming and Qing Dynasties.
In the Song Dynasty, Yuan Dynasty and Ming Dynasty, a large number of scholars published huajianji in their own handwriting, and many official engraved copies of previous dynasties also appeared, which is a set of widely circulated books.
In the Ming Dynasty, huajianji had many internal government editions, that is, Royal engravings, and of course, home engravings and square engravings. Just like a set of ten volumes of the song version of Huajian Ji, which was reprinted by Lu Yuanda from Suzhou, it once sold at a high price of 640000 at the Jiade spring auction in 2014, and the average auction price of one volume reached 64000.
Of course, although Ming edition books are not as valuable as song edition books, even the most common Ming edition books now cost thousands of yuan. It would be easy to catch up with the Ming edition books that can be classified into the category of precious ancient books, with a volume of more than 50000.
Obviously, this book is not the song version of Hua Jian Ji reprinted by Lu Yuan, but when Yang Jing opened it, she couldn't help but get a boost.
This book is also a Ming Dynasty engraving, but it is obviously not an official engraving, but should belong to the family engraving or square engraving, and it is obviously a Ming engraving of the engraving of the Northern Song Dynasty. This can be clearly distinguished from the structure and layout of the book.
The seventh volume of huajianji mainly contains the poems of two masters, namely Gu Xuan and sun Guangxian. There are 50 poems in the whole book, including 37 poems by Gu Xuan and 13 poems by sun Guangxian.
The first poem at the beginning is one of Gu's Huanxi sand.
"Spring is charming. I hate being on credit, but I can't return home. The thin wind gently reveals pear flowers.
Outside the curtain, there are affectionate double swallows, the green poplar is weak in front of the sill, and the small screen dreams of the end of the world. "
Although it is not an official engraved edition, the book is printed quite well, and this edition still uses a rare thin gold edition, which makes Yang Jing more interested.
Generally speaking, most of the stereotypes in the early Northern Song Dynasty used European characters, which were thin and slender, and later gradually changed into facial characters, which were magnificent and simple; In the Southern Song Dynasty, most of the engravings used willow style. This reflects the aesthetic differences in different times.
Thin gold engravings can be used as engravings, which are rare even in the whole Song Dynasty. Most of the thin gold engravings spread to today are in the hands of museums or large collectors. It is extremely rare to see a thin gold Ming engraving of the song version here.
After turning a few pages, Yang Jing was sure that the book was indeed a Ming engraved version, but when he turned a few more pages, his face changed a little involuntarily
PS: bow and thank the "chilled octave" 100 reward.
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Although many Qing Dynasty engravings are now classified into the ranks of rare books, most of them are official engravings before Qianlong. It will be almost a hundred years before such family engravings in the Guangxu period want to be included in the ranks of rare books.
Yes, Yang Jing has identified this book with a ring. It is indeed a family engraved book during the reign of Guangxu. Of course, the ring also gives a definite answer, that is, Liu Zheng and Liu Shiqi were indeed people during the reign of Kangxi.
For the shop owner who played tricks, Yang Jing certainly had to press down the price hard and directly offered a price of 1000.
The shopkeeper's trick was exposed by Yang Jing on the spot. Can he have any way to refute it?
Obviously not.
Moreover, the price given by Yang Jing is not high or low. It happens to be stuck in the price throat of this kind of engraved book in the late Qing Dynasty. It is basically the most appropriate price for this kind of book at present.
The shopkeeper obviously also saw that Yang Jing was an expert. Otherwise, people would not see the fishiness in the book at a glance and tell the price of the book at a glance.
But the boss still held the attitude of striving for it and said, "little brother, the price you gave is really a little lower. Why don't you give it a little higher?"
Yang Jing shook her head slightly and said, "it can't go up. This book is at this price now. And the Qing engraved edition is not the official engraved edition before Qianlong, otherwise it won't go up sharply in recent years. I can only buy it as a collection."
If it hadn't been for some treasure in this book, Yang Jing wouldn't have bothered to talk nonsense to the shopkeeper.
Seeing Yang Jing's resolute attitude, the shopkeeper hesitated.
"Boss, how about this? I'll read some more books. If it's suitable, I'll take them with me."
Hearing what Yang Jing said, the boss nodded reluctantly. Then he took out several books for Yang Jing.
Yang Jing turned it over and found that these books were all in the Qing Dynasty. To speak of them, they were not as good as the ancient Zatan just now. At least the ancient Zatan just now was still a printed copy, but these books were printed in movable type. Although one of them was a hand copy, it was not as good as the ancient Zatan that had been secretly changed.
This situation made Yang Jing sigh: "there are really fewer and fewer good things now."
In fact, there is no way. In the past few decades, the antique market in Tianqu city was still very prosperous. At that time, although there were no professional antique cities such as Grand Canal Antique City and Dongzi cultural street Antique City, yandiankou Antique City would attract a large number of antique lovers every time it opened.
Even people from Hebei and Shanxi provinces will come. As the popularity of the antique market in X county and langfangda city in Hebei province gradually subsided, yandiankou Antique City in Tianqu gradually became the most popular antique city at the junction of Hebei and Shandong, because those Taobao Taobao Taobao could often find some good objects in yandiankou antique city at that time.
However, with the relocation of yandiankou Antique City and the rise of Grand Canal Antique City, there are fewer and fewer old objects worth selling on the market. Up to now, the shop owner even regards Qing Dynasty books as a precious collection
Yang Jing didn't really want to sell those books, so he pointed to the last book and said, "please bring that book to me again, boss."
The shopkeeper nodded, took the book out and said, "little brother, this book is different from the previous books. This book is a serious Ming Dynasty book, and it can be regarded as one of the treasures of my town store."
This book is the famous collection of flowers.
Yang Jing looked at the book and said with a smile, "boss, if your book is really a Ming edition, it's really good."
"Of course it's the Ming edition, and I can assure you of that."
Yang Jing nodded noncommittally, which focused on the book.
This is the seventh volume of Huajian Ji. It looks very old, and it is not well preserved. It can barely reach the appearance of seven grades.
Huajian Ji has a high position in China's literary history. It is a collection of words compiled during the Five Dynasties and Ten Kingdoms period in China. It is also the first collection of literati words in China's literary history. It is edited by Zhao Chongzuo, a post Shu man, with a total of ten volumes.
The collection of flowers contains five hundred poems written by 18 poets, including Wen Tingyun, Huang Fusong, Wei Zhuang, Xue Zhaoyun, Niu Qiao, Zhang Mi, Mao Wenxi, Niu Xiji, ou yangjiong, he Ning, Gu Xuan, sun Guangxian, Wei Chengban, Lu Qian, Yan Xuan, Yin e, Mao Xizhen and Li Xun, from the first year of the founding of emperor Wenzong of the Tang Dynasty to the fifth year of Tianfu, the emperor of the Late Jin Dynasty, It intensively and typically reflects the subject orientation, aesthetic taste, physical style and artistic achievements of literati's Ci creation in the history of early Chinese Ci, and truly reflects the whole picture of the transformation and development process of early Ci from folk state to literati creation.
Moreover, Huajian CI standardized the literary genre and aesthetic characteristics of "Ci", finally established the literary status of "Ci", and had a far-reaching impact on the creation of poets in song, yuan, Ming and Qing Dynasties.
In the Song Dynasty, Yuan Dynasty and Ming Dynasty, a large number of scholars published huajianji in their own handwriting, and many official engraved copies of previous dynasties also appeared, which is a set of widely circulated books.
In the Ming Dynasty, huajianji had many internal government editions, that is, Royal engravings, and of course, home engravings and square engravings. Just like a set of ten volumes of the song version of Huajian Ji, which was reprinted by Lu Yuanda from Suzhou, it once sold at a high price of 640000 at the Jiade spring auction in 2014, and the average auction price of one volume reached 64000.
Of course, although Ming edition books are not as valuable as song edition books, even the most common Ming edition books now cost thousands of yuan. It would be easy to catch up with the Ming edition books that can be classified into the category of precious ancient books, with a volume of more than 50000.
Obviously, this book is not the song version of Hua Jian Ji reprinted by Lu Yuan, but when Yang Jing opened it, she couldn't help but get a boost.
This book is also a Ming Dynasty engraving, but it is obviously not an official engraving, but should belong to the family engraving or square engraving, and it is obviously a Ming engraving of the engraving of the Northern Song Dynasty. This can be clearly distinguished from the structure and layout of the book.
The seventh volume of huajianji mainly contains the poems of two masters, namely Gu Xuan and sun Guangxian. There are 50 poems in the whole book, including 37 poems by Gu Xuan and 13 poems by sun Guangxian.
The first poem at the beginning is one of Gu's Huanxi sand.
"Spring is charming. I hate being on credit, but I can't return home. The thin wind gently reveals pear flowers.
Outside the curtain, there are affectionate double swallows, the green poplar is weak in front of the sill, and the small screen dreams of the end of the world. "
Although it is not an official engraved edition, the book is printed quite well, and this edition still uses a rare thin gold edition, which makes Yang Jing more interested.
Generally speaking, most of the stereotypes in the early Northern Song Dynasty used European characters, which were thin and slender, and later gradually changed into facial characters, which were magnificent and simple; In the Southern Song Dynasty, most of the engravings used willow style. This reflects the aesthetic differences in different times.
Thin gold engravings can be used as engravings, which are rare even in the whole Song Dynasty. Most of the thin gold engravings spread to today are in the hands of museums or large collectors. It is extremely rare to see a thin gold Ming engraving of the song version here.
After turning a few pages, Yang Jing was sure that the book was indeed a Ming engraved version, but when he turned a few more pages, his face changed a little involuntarily
PS: bow and thank the "chilled octave" 100 reward.
Although many Qing Dynasty engravings are now classified into the ranks of rare books, most of them are official engravings before Qianlong. It will be almost a hundred years before such family engravings in the Guangxu period want to be included in the ranks of rare books.Yes, Yang Jing has identified this book with a ring. It is indeed a family engraved book during the reign of Guangxu. Of course, the ring also gives a definite answer, that is, Liu Zheng and Liu Shiqi were indeed people during the reign of Kangxi.For the shop owner who played tricks, Yang Jing certainly had to press down the price hard and directly offered a price of 1000.The shopkeeper's trick was exposed by Yang Jing on the spot. Can he have any way to refute it?Obviously not.Moreover, the price given by Yang Jing is not high or low. It happens to be stuck in the price throat of this kind of engraved book in the late Qing Dynasty. It is basically the most appropriate price for this kind of book at present.The shopkeeper obviously also saw that Yang Jing was an expert. Otherwise, people would not see the fishiness in the book at a glance and tell the price of the book at a glance.But the boss still held the attitude of striving for it and said, "little brother, the price you gave is really a little lower. Why don't you give it a little higher?"Yang Jing shook her head slightly and said, "it can't go up. This book is at this price now. And the Qing engraved edition is not the official engraved edition before Qianlong, otherwise it won't go up sharply in recent years. I can only buy it as a collection."If it hadn't been for some treasure in this book, Yang Jing wouldn't have bothered to talk nonsense to the shopkeeper.Seeing Yang Jing's resolute attitude, the shopkeeper hesitated."Boss, how about this? I'll read some more books. If it's suitable, I'll take them with me."Hearing what Yang Jing said, the boss nodded reluctantly. Then he took out several books for Yang Jing.Yang Jing turned it over and found that these books were all in the Qing Dynasty. To speak of them, they were not as good as the ancient Zatan just now. At least the ancient Zatan just now was still a printed copy, but these books were printed in movable type. Although one of them was a hand copy, it was not as good as the ancient Zatan that had been secretly changed.This situation made Yang Jing sigh: "there are really fewer and fewer good things now."In fact, there is no way. In the past few decades, the antique market in Tianqu city was still very prosperous. At that time, although there were no professional antique cities such as Grand Canal Antique City and Dongzi cultural street Antique City, yandiankou Antique City would attract a large number of antique lovers every time it opened.Even people from Hebei and Shanxi provinces will come. As the popularity of the antique market in X county and langfangda city in Hebei province gradually subsided, yandiankou Antique City in Tianqu gradually became the most popular antique city at the junction of Hebei and Shandong, because those Taobao Taobao Taobao could often find some good objects in yandiankou antique city at that time.However, with the relocation of yandiankou Antique City and the rise of Grand Canal Antique City, there are fewer and fewer old objects worth selling on the market. Up to now, the shop owner even regards Qing Dynasty books as a precious collectionYang Jing didn't really want to sell those books, so he pointed to the last book and said, "please bring that book to me again, boss."The shopkeeper nodded, took the book out and said, "little brother, this book is different from the previous books. This book is a serious Ming Dynasty book, and it can be regarded as one of the treasures of my town store."This book is the famous collection of flowers.Yang Jing looked at the book and said with a smile, "boss, if your book is really a Ming edition, it's really good.""Of course it's the Ming edition, and I can assure you of that."Yang Jing nodded noncommittally, which focused on the book.This is the seventh volume of Huajian Ji. It looks very old, and it is not well preserved. It can barely reach the appearance of seven grades.Huajian Ji has a high position in China's literary history. It is a collection of words compiled during the Five Dynasties and Ten Kingdoms period in China. It is also the first collection of literati words in China's literary history. It is edited by Zhao Chongzuo, a post Shu man, with a total of ten volumes.The collection of flowers contains five hundred poems written by 18 poets, including Wen Tingyun, Huang Fusong, Wei Zhuang, Xue Zhaoyun, Niu Qiao, Zhang Mi, Mao Wenxi, Niu Xiji, ou yangjiong, he Ning, Gu Xuan, sun Guangxian, Wei Chengban, Lu Qian, Yan Xuan, Yin e, Mao Xizhen and Li Xun, from the first year of the founding of emperor Wenzong of the Tang Dynasty to the fifth year of Tianfu, the emperor of the Late Jin Dynasty, It intensively and typically reflects the subject orientation, aesthetic taste, physical style and artistic achievements of literati's Ci creation in the history of early Chinese Ci, and truly reflects the whole picture of the transformation and development process of early Ci from folk state to literati creation.Moreover, Huajian CI standardized the literary genre and aesthetic characteristics of "Ci", finally established the literary status of "Ci", and had a far-reaching impact on the creation of poets in song, yuan, Ming and Qing Dynasties.In the Song Dynasty, Yuan Dynasty and Ming Dynasty, a large number of scholars published huajianji in their own handwriting, and many official engraved copies of previous dynasties also appeared, which is a set of widely circulated books.In the Ming Dynasty, huajianji had many internal government editions, that is, Royal engravings, and of course, home engravings and square engravings. Just like a set of ten volumes of the song version of Huajian Ji, which was reprinted by Lu Yuanda from Suzhou, it once sold at a high price of 640000 at the Jiade spring auction in 2014, and the average auction price of one volume reached 64000.Of course, although Ming edition books are not as valuable as song edition books, even the most common Ming edition books now cost thousands of yuan. It would be easy to catch up with the Ming edition books that can be classified into the category of precious ancient books, with a volume of more than 50000.Obviously, this book is not the song version of Hua Jian Ji reprinted by Lu Yuan, but when Yang Jing opened it, she couldn't help but get a boost.This book is also a Ming Dynasty engraving, but it is obviously not an official engraving, but should belong to the family engraving or square engraving, and it is obviously a Ming engraving of the engraving of the Northern Song Dynasty. This can be clearly distinguished from the structure and layout of the book.The seventh volume of huajianji mainly contains the poems of two masters, namely Gu Xuan and sun Guangxian. There are 50 poems in the whole book, including 37 poems by Gu Xuan and 13 poems by sun Guangxian.The first poem at the beginning is one of Gu's Huanxi sand."Spring is charming. I hate being on credit, but I can't return home. The thin wind gently reveals pear flowers.Outside the curtain, there are affectionate double swallows, the green poplar is weak in front of the sill, and the small screen dreams of the end of the world. "Although it is not an official engraved edition, the book is printed quite well, and this edition still uses a rare thin gold edition, which makes Yang Jing more interested.Generally speaking, most of the stereotypes in the early Northern Song Dynasty used European characters, which were thin and slender, and later gradually changed into facial characters, which were magnificent and simple; In the Southern Song Dynasty, most of the engravings used willow style. This reflects the aesthetic differences in different times.Thin gold engravings can be used as engravings, which are rare even in the whole Song Dynasty. Most of the thin gold engravings spread to today are in the hands of museums or large collectors. It is extremely rare to see a thin gold Ming engraving of the song version here.After turning a few pages, Yang Jing was sure that the book was indeed a Ming engraved version, but when he turned a few more pages, his face changed a little involuntarilyPS: bow and thank the "chilled octave" 100 reward.
