Chapter 2011: 2011
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The North American market is the most mature and well-developed commercial film territory in the world. Due to various historical backgrounds and social reasons, the effect of the two tights is bringing more constraints to the market. On the contrary, it breeds uncertainty. The inevitable price of pioneering and enterprising at the forefront.
Relatively speaking, they are relatively stable and relatively mature overseas markets such as Japan, South Korea, the United Kingdom, France, Germany, and Australia. They are in the most stable state of the system at this stage, and the superstar effect and word-of-mouth effect can still play the greatest role. , The box office of excellent works will always not disappoint, and the laws and context of the market are still the most familiar appearance, so that film companies can rest assured.
This also means that works with outstanding reputation will not be disappointed in overseas markets, such as "Captain America 2", "X-Men: Reversing the Future" and other works, and the box office results are more stable than the North American market. It is also the reason why large film companies are paying more and more attention to overseas markets. Now, it's the "interstellar crossing" turn.
Facts have also proved this.
In June, "Interstellar Crossing" began to land in overseas markets one after another; finally, in October, the film landed in Japan, the world's last large market, and announced that "Interstellar Crossing" was released in 64 countries and regions around the world: although the overall release The number of regions is not the largest, inferior to works such as "Captain America 2," "Transformers 4" and "Guardians of the Galaxy", but the outstanding box office numbers easily surpassed a lot of competitors and handed in a perfect answer.
Unexpectedly but logically, the Korean market has burst out of incredible energy, even surpassing the hometown of Lan Li, the United Kingdom, becoming the second largest ticket warehouse in the global overseas market, second only to China, and a single market. With a box office of 100 million US dollars, this has also become the third market for "Interstellar Crossing" in the world where the box office has exceeded 100 million. The sturdy data has aroused a lot of exclamations.
Accident?
It's really unexpected! The Korean film market, which has always been unable to compete with China and Japan, is not very recognizable compared with the mature markets in Europe. Although it has repeatedly been able to burst into fanaticism when superhero movies are released, this is also the general manager of Disney's Marvel movies. It is the reason why I like to go to South Korea to promote. The outstanding market rate of return is undoubtedly the biggest reason; but in terms of box office numbers alone, it still lacks explosive power. The small population is a major reason, and the total population is low and there is no way. It is another big reason to give more support to movies and music like Japan. In the final analysis, it is the inherent shortcomings of the market that limit South Korea's influence.
But this time, the Korean market has erupted with such terrifying energy, which is indeed eye-catching.
Isn't it unexpected?
In fact, it can be considered as expected. The core of the theme of "Interstellar" is the family relationship between father and daughter, which is too sensational for North America and Europe, but it has become a lot of slots; but for South Korea, it is just right, and it can even be said to be right for the appetite. This kind of emotional resonance is profound. His works can always find a place in this market, and even trigger a movie-watching frenzy. To this day, Pure Love Movies still have a solid market foundation. To a certain extent, compared to the two neighboring countries of China and Japan Said that such sensational movies can often achieve better results in South Korea.
So, the result appeared!
"Interstellar" has made history in the Korean market! It became the third overseas-introduced work in the history of Korean movies with more than 10 million viewers; it was also the fourteenth in Korean movie history with more than 10 million viewers; it was the second longest in Korean movie history. Part of the box office data exceeded 100 million US dollars imported works overseas!
Because the total population of South Korea is about 50 million, the criterion for measuring a movie is not the box office number, but the number of movie viewers. Generally speaking, the revenue base point is 5 million visits, which means that one in ten people has seen this work; and all the works that can exceed 10 million viewing visits are all works recorded in the annals of history, with an average of five One of the individuals has seen this work, which is undoubtedly very appalling.
In 2003, "Silmi Island" became the first work in the history of Korean film to have more than 10 million viewers. Since then, more excellent works have appeared one after another. Unknowingly, it was able to create such a feat. The works have also reached double digits, but as a whole, they began to focus on Korean local movies. As for the introduction of overseas films, only two works have achieved such a feat. Among them, there is no "Avengers".
In 2009, "Avatar" created such a feat in the Korean market for the first time. It was also the South Korean box office champion as of June 2014; then "Frozen" released at the end of 2013, and then "Interstellar" now. Up.
In the end, "Interstellar" had 12.27 million movie viewers in South Korea, making it one of the top ten viewers of Korean movie history, temporarily lagging behind "Avatar" and "Han River Monster". , "League of Thieves", "Gift from Room No. 7", "Double-Sided King" and "The King's Man" ranked seventh!
Even if it was predicted in advance that "Interstellar Crossing" might create good results in South Korea, but the final result was so outstanding, even sturdy and powerful, this still caused a lot of exclamation, and also opened the film's excellent performance in overseas markets. prelude,
The United Kingdom, France, Russia, Germany, Poland, Australia, Italy and Japan became the third to tenth places in overseas markets respectively.
The unexpected rise of China and South Korea has on the contrary eclipsed the British market, almost disappearing in global box office news reports, but in fact, the British box office of "Interstellar" is also very gratifying, with a box office data of 50 million US dollars. It’s still very conspicuous, but everyone was caught off guard by the rival’s outburst, and was finally robbed of all the light; and the UK is not the only market that has been ignored, or that China and South Korea are not the only two. This "emergence of a new force."
The outbreak of the Russian and Polish markets is also eye-catching, especially the latter. "Interstellar" has won a box office of 20 million U.S. dollars in the Polish market. This is the second work in the history of Poland whose gross box office has exceeded the 20 million threshold. The last one is "Avatar", which is enough to prove the amazing extent of the box office.
Obviously, the different positioning of "Interstellar Crossing" in different markets still produced many variables and brought many surprises at the same time.
In addition to the above ten countries and regions, the total box office of Spain, China/Taiwan/Bay, Brazil, and Mexico also exceeded the 10 million US dollar threshold. Large markets around the world have submitted an excellent answer. The constant strong performance swept away the worries in the early stage of the premiere. This is the box office number that truly meets the expectations of "Blue Courtesy Meets Nolan".
Following the North American market, overseas market performance has also surpassed works such as "Maleficent", "Captain America 2" and "X-Men: Reversing the Future", and debuted in "Transformers 4" and other more powerful competitors. Before, "Interstellar" briefly topped the 2014 North American box office champion and the global box office champion.
In the end, "Interstellar Crossing" became the first overseas box office work to break the 600 million US dollar threshold in 2014, reaching a full 672 million US dollars!
So far this year, the most outstanding overseas box office performance is "Slumbering Curse" with 517 million U.S. dollars, slightly ahead of "X-Men: Reversing the Future" by less than three million U.S. dollars, and dominates the U.S. box office and the world. The box office champion "Captain America 2" can only rank third in the global box office number, and it is nearly 50 million behind the number. The gap is obvious; but now all the data has been greatly refreshed by "Interstellar", and it really lives up to expectations!
This result easily surpassed the US$535 million in Inception and the US$636 million in the overseas box office of "Batman: The Dark Knight Rises", refreshing Nolan’s highest number of directors’ career. ; At the same time, it also became the second-highest overseas box office work of Lan Li's personal career, surpassing "Edge of Tomorrow" and second only to "Gravity".
"Interstellar" global box office is hotly released: 1.127 billion US dollars.
"New York Times", "Renley-Hall hits a new personal high, the third one at the global box office of one billion!"
"Los Angeles Times", "Film History's twentieth global one-billion-dollar box office work! Lanly-Hall alone has three seats!"
"Variety Show", "In addition to superheroes, reality superstars are officially born: Lan Li-Hall continues his brilliant career!"
"Hollywood Reporter", "The second global one-billion-dollar box office work in seven months. Besides Marvel, who else can achieve such a prestige?"
"Chicago Tribune", "Disney is creating the Marvel universe, Warner Bros. is creating the dc universe, Universal Pictures is creating the dark universe, Sony Columbia is creating the Spider-Man universe, Twentieth Century Fox is creating the X-Men universe, and Blue Li-Hall is creating the Rum Li universe."
"Empire", "belongs to the heyday of Lanli! The first person in the world!"
"The Times~www.novelhall.com~ the unparalleled peak! Lan Li once again proved his unparalleled power!"
"San Francisco Chronicle", "1127 million! The third global one billion reached!"
"U.S. Weekly", "The rise of superstars! With the posture of three billion global box offices in three years, Lanly Hall proved that he is the undoubted absolute superstar of the contemporary era! This is an era of superstars' demise, but also a superstar's birth. Era!"
All the media around the world exploded collectively, and all the major entertainment pages are all "Interstellar" reports that the global box office has reached one billion dollars; moreover, they all mentioned Blue Li, but No Christopher-Lan was mentioned. , And there is no mention of Anne Hathaway, Jessica Chastain, Matt Damon and other top big names. It seems that all the credit is due to blue gifts.
This is not fair! But this is also reality!
But why? Why does the news media make such obvious and biased mistakes? The biggest possibility is: this is not a mistake, but a reality!
Please report us if you find any errors so we can fix it asap!
The North American market is the most mature and well-developed commercial film territory in the world. Due to various historical backgrounds and social reasons, the effect of the two tights is bringing more constraints to the market. On the contrary, it breeds uncertainty. The inevitable price of pioneering and enterprising at the forefront.
Relatively speaking, they are relatively stable and relatively mature overseas markets such as Japan, South Korea, the United Kingdom, France, Germany, and Australia. They are in the most stable state of the system at this stage, and the superstar effect and word-of-mouth effect can still play the greatest role. , The box office of excellent works will always not disappoint, and the laws and context of the market are still the most familiar appearance, so that film companies can rest assured.
This also means that works with outstanding reputation will not be disappointed in overseas markets, such as "Captain America 2", "X-Men: Reversing the Future" and other works, and the box office results are more stable than the North American market. It is also the reason why large film companies are paying more and more attention to overseas markets. Now, it's the "interstellar crossing" turn.
Facts have also proved this.
In June, "Interstellar Crossing" began to land in overseas markets one after another; finally, in October, the film landed in Japan, the world's last large market, and announced that "Interstellar Crossing" was released in 64 countries and regions around the world: although the overall release The number of regions is not the largest, inferior to works such as "Captain America 2," "Transformers 4" and "Guardians of the Galaxy", but the outstanding box office numbers easily surpassed a lot of competitors and handed in a perfect answer.
Unexpectedly but logically, the Korean market has burst out of incredible energy, even surpassing the hometown of Lan Li, the United Kingdom, becoming the second largest ticket warehouse in the global overseas market, second only to China, and a single market. With a box office of 100 million US dollars, this has also become the third market for "Interstellar Crossing" in the world where the box office has exceeded 100 million. The sturdy data has aroused a lot of exclamations.
Accident?
It's really unexpected! The Korean film market, which has always been unable to compete with China and Japan, is not very recognizable compared with the mature markets in Europe. Although it has repeatedly been able to burst into fanaticism when superhero movies are released, this is also the general manager of Disney's Marvel movies. It is the reason why I like to go to South Korea to promote. The outstanding market rate of return is undoubtedly the biggest reason; but in terms of box office numbers alone, it still lacks explosive power. The small population is a major reason, and the total population is low and there is no way. It is another big reason to give more support to movies and music like Japan. In the final analysis, it is the inherent shortcomings of the market that limit South Korea's influence.
But this time, the Korean market has erupted with such terrifying energy, which is indeed eye-catching.
Isn't it unexpected?
In fact, it can be considered as expected. The core of the theme of "Interstellar" is the family relationship between father and daughter, which is too sensational for North America and Europe, but it has become a lot of slots; but for South Korea, it is just right, and it can even be said to be right for the appetite. This kind of emotional resonance is profound. His works can always find a place in this market, and even trigger a movie-watching frenzy. To this day, Pure Love Movies still have a solid market foundation. To a certain extent, compared to the two neighboring countries of China and Japan Said that such sensational movies can often achieve better results in South Korea.
So, the result appeared!
"Interstellar" has made history in the Korean market! It became the third overseas-introduced work in the history of Korean movies with more than 10 million viewers; it was also the fourteenth in Korean movie history with more than 10 million viewers; it was the second longest in Korean movie history. Part of the box office data exceeded 100 million US dollars imported works overseas!
Because the total population of South Korea is about 50 million, the criterion for measuring a movie is not the box office number, but the number of movie viewers. Generally speaking, the revenue base point is 5 million visits, which means that one in ten people has seen this work; and all the works that can exceed 10 million viewing visits are all works recorded in the annals of history, with an average of five One of the individuals has seen this work, which is undoubtedly very appalling.
In 2003, "Silmi Island" became the first work in the history of Korean film to have more than 10 million viewers. Since then, more excellent works have appeared one after another. Unknowingly, it was able to create such a feat. The works have also reached double digits, but as a whole, they began to focus on Korean local movies. As for the introduction of overseas films, only two works have achieved such a feat. Among them, there is no "Avengers".
In 2009, "Avatar" created such a feat in the Korean market for the first time. It was also the South Korean box office champion as of June 2014; then "Frozen" released at the end of 2013, and then "Interstellar" now. Up.
In the end, "Interstellar" had 12.27 million movie viewers in South Korea, making it one of the top ten viewers of Korean movie history, temporarily lagging behind "Avatar" and "Han River Monster". , "League of Thieves", "Gift from Room No. 7", "Double-Sided King" and "The King's Man" ranked seventh!
Even if it was predicted in advance that "Interstellar Crossing" might create good results in South Korea, but the final result was so outstanding, even sturdy and powerful, this still caused a lot of exclamation, and also opened the film's excellent performance in overseas markets. prelude,
The United Kingdom, France, Russia, Germany, Poland, Australia, Italy and Japan became the third to tenth places in overseas markets respectively.
The unexpected rise of China and South Korea has on the contrary eclipsed the British market, almost disappearing in global box office news reports, but in fact, the British box office of "Interstellar" is also very gratifying, with a box office data of 50 million US dollars. It’s still very conspicuous, but everyone was caught off guard by the rival’s outburst, and was finally robbed of all the light; and the UK is not the only market that has been ignored, or that China and South Korea are not the only two. This "emergence of a new force."
The outbreak of the Russian and Polish markets is also eye-catching, especially the latter. "Interstellar" has won a box office of 20 million U.S. dollars in the Polish market. This is the second work in the history of Poland whose gross box office has exceeded the 20 million threshold. The last one is "Avatar", which is enough to prove the amazing extent of the box office.
Obviously, the different positioning of "Interstellar Crossing" in different markets still produced many variables and brought many surprises at the same time.
In addition to the above ten countries and regions, the total box office of Spain, China/Taiwan/Bay, Brazil, and Mexico also exceeded the 10 million US dollar threshold. Large markets around the world have submitted an excellent answer. The constant strong performance swept away the worries in the early stage of the premiere. This is the box office number that truly meets the expectations of "Blue Courtesy Meets Nolan".
Following the North American market, overseas market performance has also surpassed works such as "Maleficent", "Captain America 2" and "X-Men: Reversing the Future", and debuted in "Transformers 4" and other more powerful competitors. Before, "Interstellar" briefly topped the 2014 North American box office champion and the global box office champion.
In the end, "Interstellar Crossing" became the first overseas box office work to break the 600 million US dollar threshold in 2014, reaching a full 672 million US dollars!
So far this year, the most outstanding overseas box office performance is "Slumbering Curse" with 517 million U.S. dollars, slightly ahead of "X-Men: Reversing the Future" by less than three million U.S. dollars, and dominates the U.S. box office and the world. The box office champion "Captain America 2" can only rank third in the global box office number, and it is nearly 50 million behind the number. The gap is obvious; but now all the data has been greatly refreshed by "Interstellar", and it really lives up to expectations!
This result easily surpassed the US$535 million in Inception and the US$636 million in the overseas box office of "Batman: The Dark Knight Rises", refreshing Nolan’s highest number of directors’ career. ; At the same time, it also became the second-highest overseas box office work of Lan Li's personal career, surpassing "Edge of Tomorrow" and second only to "Gravity".
"Interstellar" global box office is hotly released: 1.127 billion US dollars.
"New York Times", "Renley-Hall hits a new personal high, the third one at the global box office of one billion!"
"Los Angeles Times", "Film History's twentieth global one-billion-dollar box office work! Lanly-Hall alone has three seats!"
"Variety Show", "In addition to superheroes, reality superstars are officially born: Lan Li-Hall continues his brilliant career!"
"Hollywood Reporter", "The second global one-billion-dollar box office work in seven months. Besides Marvel, who else can achieve such a prestige?"
"Chicago Tribune", "Disney is creating the Marvel universe, Warner Bros. is creating the dc universe, Universal Pictures is creating the dark universe, Sony Columbia is creating the Spider-Man universe, Twentieth Century Fox is creating the X-Men universe, and Blue Li-Hall is creating the Rum Li universe."
"Empire", "belongs to the heyday of Lanli! The first person in the world!"
"The Times~www.novelhall.com~ the unparalleled peak! Lan Li once again proved his unparalleled power!"
"San Francisco Chronicle", "1127 million! The third global one billion reached!"
"U.S. Weekly", "The rise of superstars! With the posture of three billion global box offices in three years, Lanly Hall proved that he is the undoubted absolute superstar of the contemporary era! This is an era of superstars' demise, but also a superstar's birth. Era!"
All the media around the world exploded collectively, and all the major entertainment pages are all "Interstellar" reports that the global box office has reached one billion dollars; moreover, they all mentioned Blue Li, but No Christopher-Lan was mentioned. , And there is no mention of Anne Hathaway, Jessica Chastain, Matt Damon and other top big names. It seems that all the credit is due to blue gifts.
This is not fair! But this is also reality!
But why? Why does the news media make such obvious and biased mistakes? The biggest possibility is: this is not a mistake, but a reality!
The North American market is the most mature and well-developed commercial film territory in the world. Due to various historical backgrounds and social reasons, the effect of the two tights is bringing more constraints to the market. On the contrary, it breeds uncertainty. The inevitable price of pioneering and enterprising at the forefront.Relatively speaking, they are relatively stable and relatively mature overseas markets such as Japan, South Korea, the United Kingdom, France, Germany, and Australia. They are in the most stable state of the system at this stage, and the superstar effect and word-of-mouth effect can still play the greatest role. , The box office of excellent works will always not disappoint, and the laws and context of the market are still the most familiar appearance, so that film companies can rest assured.This also means that works with outstanding reputation will not be disappointed in overseas markets, such as "Captain America 2", "X-Men: Reversing the Future" and other works, and the box office results are more stable than the North American market. It is also the reason why large film companies are paying more and more attention to overseas markets. Now, it's the "interstellar crossing" turn.Facts have also proved this.In June, "Interstellar Crossing" began to land in overseas markets one after another; finally, in October, the film landed in Japan, the world's last large market, and announced that "Interstellar Crossing" was released in 64 countries and regions around the world: although the overall release The number of regions is not the largest, inferior to works such as "Captain America 2," "Transformers 4" and "Guardians of the Galaxy", but the outstanding box office numbers easily surpassed a lot of competitors and handed in a perfect answer.Unexpectedly but logically, the Korean market has burst out of incredible energy, even surpassing the hometown of Lan Li, the United Kingdom, becoming the second largest ticket warehouse in the global overseas market, second only to China, and a single market. With a box office of 100 million US dollars, this has also become the third market for "Interstellar Crossing" in the world where the box office has exceeded 100 million. The sturdy data has aroused a lot of exclamations.Accident?It's really unexpected! The Korean film market, which has always been unable to compete with China and Japan, is not very recognizable compared with the mature markets in Europe. Although it has repeatedly been able to burst into fanaticism when superhero movies are released, this is also the general manager of Disney's Marvel movies. It is the reason why I like to go to South Korea to promote. The outstanding market rate of return is undoubtedly the biggest reason; but in terms of box office numbers alone, it still lacks explosive power. The small population is a major reason, and the total population is low and there is no way. It is another big reason to give more support to movies and music like Japan. In the final analysis, it is the inherent shortcomings of the market that limit South Korea's influence.But this time, the Korean market has erupted with such terrifying energy, which is indeed eye-catching.Isn't it unexpected?In fact, it can be considered as expected. The core of the theme of "Interstellar" is the family relationship between father and daughter, which is too sensational for North America and Europe, but it has become a lot of slots; but for South Korea, it is just right, and it can even be said to be right for the appetite. This kind of emotional resonance is profound. His works can always find a place in this market, and even trigger a movie-watching frenzy. To this day, Pure Love Movies still have a solid market foundation. To a certain extent, compared to the two neighboring countries of China and Japan Said that such sensational movies can often achieve better results in South Korea.So, the result appeared!"Interstellar" has made history in the Korean market! It became the third overseas-introduced work in the history of Korean movies with more than 10 million viewers; it was also the fourteenth in Korean movie history with more than 10 million viewers; it was the second longest in Korean movie history. Part of the box office data exceeded 100 million US dollars imported works overseas!Because the total population of South Korea is about 50 million, the criterion for measuring a movie is not the box office number, but the number of movie viewers. Generally speaking, the revenue base point is 5 million visits, which means that one in ten people has seen this work; and all the works that can exceed 10 million viewing visits are all works recorded in the annals of history, with an average of five One of the individuals has seen this work, which is undoubtedly very appalling.In 2003, "Silmi Island" became the first work in the history of Korean film to have more than 10 million viewers. Since then, more excellent works have appeared one after another. Unknowingly, it was able to create such a feat. The works have also reached double digits, but as a whole, they began to focus on Korean local movies. As for the introduction of overseas films, only two works have achieved such a feat. Among them, there is no "Avengers".In 2009, "Avatar" created such a feat in the Korean market for the first time. It was also the South Korean box office champion as of June 2014; then "Frozen" released at the end of 2013, and then "Interstellar" now. Up.In the end, "Interstellar" had 12.27 million movie viewers in South Korea, making it one of the top ten viewers of Korean movie history, temporarily lagging behind "Avatar" and "Han River Monster". , "League of Thieves", "Gift from Room No. 7", "Double-Sided King" and "The King's Man" ranked seventh!Even if it was predicted in advance that "Interstellar Crossing" might create good results in South Korea, but the final result was so outstanding, even sturdy and powerful, this still caused a lot of exclamation, and also opened the film's excellent performance in overseas markets. prelude,The United Kingdom, France, Russia, Germany, Poland, Australia, Italy and Japan became the third to tenth places in overseas markets respectively.The unexpected rise of China and South Korea has on the contrary eclipsed the British market, almost disappearing in global box office news reports, but in fact, the British box office of "Interstellar" is also very gratifying, with a box office data of 50 million US dollars. It's still very conspicuous, but everyone was caught off guard by the rival's outburst, and was finally robbed of all the light; and the UK is not the only market that has been ignored, or that China and South Korea are not the only two. This "emergence of a new force."The outbreak of the Russian and Polish markets is also eye-catching, especially the latter. "Interstellar" has won a box office of 20 million U.S. dollars in the Polish market. This is the second work in the history of Poland whose gross box office has exceeded the 20 million threshold. The last one is "Avatar", which is enough to prove the amazing extent of the box office.Obviously, the different positioning of "Interstellar Crossing" in different markets still produced many variables and brought many surprises at the same time.In addition to the above ten countries and regions, the total box office of Spain, China/Taiwan/Bay, Brazil, and Mexico also exceeded the 10 million US dollar threshold. Large markets around the world have submitted an excellent answer. The constant strong performance swept away the worries in the early stage of the premiere. This is the box office number that truly meets the expectations of "Blue Courtesy Meets Nolan".Following the North American market, overseas market performance has also surpassed works such as "Maleficent", "Captain America 2" and "X-Men: Reversing the Future", and debuted in "Transformers 4" and other more powerful competitors. Before, "Interstellar" briefly topped the 2014 North American box office champion and the global box office champion.In the end, "Interstellar Crossing" became the first overseas box office work to break the 600 million US dollar threshold in 2014, reaching a full 672 million US dollars!So far this year, the most outstanding overseas box office performance is "Slumbering Curse" with 517 million U.S. dollars, slightly ahead of "X-Men: Reversing the Future" by less than three million U.S. dollars, and dominates the U.S. box office and the world. The box office champion "Captain America 2" can only rank third in the global box office number, and it is nearly 50 million behind the number. The gap is obvious; but now all the data has been greatly refreshed by "Interstellar", and it really lives up to expectations!This result easily surpassed the US$535 million in Inception and the US$636 million in the overseas box office of "Batman: The Dark Knight Rises", refreshing Nolan's highest number of directors' career. ; At the same time, it also became the second-highest overseas box office work of Lan Li's personal career, surpassing "Edge of Tomorrow" and second only to "Gravity"."Interstellar" global box office is hotly released: 1.127 billion US dollars."New York Times", "Renley-Hall hits a new personal high, the third one at the global box office of one billion!""Los Angeles Times", "Film History's twentieth global one-billion-dollar box office work! Lanly-Hall alone has three seats!""Variety Show", "In addition to superheroes, reality superstars are officially born: Lan Li-Hall continues his brilliant career!""Hollywood Reporter", "The second global one-billion-dollar box office work in seven months. Besides Marvel, who else can achieve such a prestige?""Chicago Tribune", "Disney is creating the Marvel universe, Warner Bros. is creating the dc universe, Universal Pictures is creating the dark universe, Sony Columbia is creating the Spider-Man universe, Twentieth Century Fox is creating the X-Men universe, and Blue Li-Hall is creating the Rum Li universe.""Empire", "belongs to the heyday of Lanli! The first person in the world!""The Times~www.novelhall.com~ the unparalleled peak! Lan Li once again proved his unparalleled power!""San Francisco Chronicle", "1127 million! The third global one billion reached!""U.S. Weekly", "The rise of superstars! With the posture of three billion global box offices in three years, Lanly Hall proved that he is the undoubted absolute superstar of the contemporary era! This is an era of superstars' demise, but also a superstar's birth. Era!"All the media around the world exploded collectively, and all the major entertainment pages are all "Interstellar" reports that the global box office has reached one billion dollars; moreover, they all mentioned Blue Li, but No Christopher-Lan was mentioned. , And there is no mention of Anne Hathaway, Jessica Chastain, Matt Damon and other top big names. It seems that all the credit is due to blue gifts.This is not fair! But this is also reality!But why? Why does the news media make such obvious and biased mistakes? The biggest possibility is: this is not a mistake, but a reality!
